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I'd have to hear the last 30 seconds of the Deep Sky track (unmixed) to give my full opinion. Hmm...I should get that off DC.
Basically, I'd say if the beat dies down before the end of the song, try it out and see what happens. But if you do stick it at the end, I would definitely fade it out of that Solid Sleep track. Not only that, I would actually slow down the Solid Sleep track very subtly (perhaps during the break down or just do it gradually throughout) so that the Deep Sky track wont sound so fast at the end of the set, because I think it might sort of kill the mood that those vocals in the Solid Sleep track kind of establish - that the set itself is beginning to wind down. If you do that, make sure you're good with beat matching so you can beatmatch the Deep Sky track within about 30 to 60 seconds or so to have it cued up in time. Based on what I heard it doesnt sound like you have any problems whatsoever with beat matching.
On the other hand, if the beat in the Deep Sky track doesn't die down and leave a melody or something behind for a bit, or if its still too strong at the end, I'd just leave it where it is.. since it didnt sound like you really wanted your last track to necessarily shake the walls.
Thats just my two cents.
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