... Comments ...

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"In a world of illusion you only see what you feel"

Talk about haunting vocals! Very nice track with a tremendous progressive feel. Many ups and downs with different sounds added in on each one. The vocals add some nice atmosphere to the song making it live up to its title. Interesting tune. 8/10

Fantastic Song, I love it when you guys put nice progressive stuff like this up.

fuckin quality track... this one pisses on the stawberries of those who say prog is boring and i didnt even notice it was the one off the new GC album until i listened to it lol..

...those vocals.. fuckin hell max u blow my mind

peace

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MUGGETS

I've had this one a while and it fucking rules!!!!! One of my favourite tracks at the moment, progressive and meaty with amazing vocals. 10 out of 10 (and I don't give that very often!!)

LaterZ

GREAT SONG!!

I love this track, haunting female vocals
Progressive synths
mmmmmmm nice

any of you like Delerium ?

cos Conjure one is Delerium

Rhys Fulber and Bill Leeb are the men behind Delerium and Conjure One

Delerium famous for Silence and Innocente of course

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this is one amazing tune, i wish there were more like it... those arabic vocals, wow... 10/10

ahhh what else can you ask for in a prog track. awesome.

he's got such a distinct sound, i love it!
he was great @ Turbo too! (except for one little fuckup)

I used to dislike prog. trance because of the moody feeling and the lack of energy in most of the tracks, but this one is a gem. Hipnotic, uplifting, and full of energy. The beginning of the track is a bit tribally. It leads nicely into the breakbeat and then back to that tribal feel. The breakdown at 6:06 and on is simply amazing. The way the synth brought back the beat and the filter effect at 7:11 to 7:14 are just making listeners to beg for more.
In my opinion, this track is far better than "Airtight."

Don't start with me on that vocal...

Let's hope Nettwerk Records opens on Sunday. I am going there and pick one up.

Last edited by Bundesbahn on Jun-03-2001 at 10:27

I don't like this, as with most stuff by Max Graham.