Sometimes they just suck ass. I've heard a few where it was nothing but chords, FX, etc - never a clean one which I really wanted.

Have you tried just giving the wav a release envelope, so the delay or whatever isn't so easily heard chopping out?

No, no
As DJMikeyP mentioned, the secret is on the envelope.
U must create an vol envelope for the sample. try zero attack, hold and decay, maximum sustain, and decide on a release value yourself to match your needs.
So the wav will only play for the lenght of the bar u write on the piano rool.
If its a really pro cd, it may even hav loop points on the samples, so u can make them sound infinite (turn loop points on, in the sampler settings).

U may also need to do a filter cut envelope so it sounds really like the sample ended, not just cut down at the middle.

The best samples are these ones that came in a way u can modify them as you need, not that ones comin with given lenghts and everything already done (and unchangable)

quote:

Originally posted by NicklessGuy No, no As DJMikeyP mentioned, the secret is on the envelope. U must create an vol envelope for the sample. try zero attack, hold and decay, maximum sustain, and decide on a release value yourself to match your needs. So the wav will only play for the lenght of the bar u write on the piano rool. If its a really pro cd, it may even hav loop points on the samples, so u can make them sound infinite (turn loop points on, in the sampler settings).

I'm sorry but I don't understand.
Let me give you an illustration.

I have a 0:05 bass WAV sample (which is obviously too long for normal offbeat bass) and I'm trying to use it like you said. I opened the Envelope panel and tweaked all the knobs like crazy, without knowing what the hell I was doing.

Something changed but certainly not what I wanted.

Here is the illustration.



help ? thanks

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try using a wav editing software such as cool edit or soundforge and shortening the length of the sample by half by compressing the length of it by a factor of 2... (note: not compression as in mastering)

u have the volume attack set to 1 step on that bass sample so its gonna take 1 16th of a bar to get to full volume from 0. Set it to 0

set the delay to 0 too

OK but then it will just play from the beginning which is too long

I need to cut it -- I can either cut it from the front, or from the back. Right now I'm trying to do it from the "front" by doing volume attack as you can see but even that is not enough,

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Maybe you should post a sample of the bass, so we can all try to twiggle it to our needs?

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Dude do the attack to 0, delay to 0, then put the hold to maximum.... All that has to do with the note starting and lasting according to your piano roll...

Now to make it decay properly at the end, you can either :

1. Put decay to 0, sustain to full, and then fuck with the release knob - this will determine how fast it fades after your piano roll ends. Apply this same envelope to the CUT as well as the volume, maybe adding a little resonance (the permanent resonance at the bottom). You'll also probably need to adjust the release tension (by clicking TNS so the lines turn purple), as i HATE how it is now. Make sure to go back to TIME (red lines) afterwards.

2. You can also just put sustain/release to 0, and just mess with decay. This is about the same thing

3. You can make it so the decay goes down a little, then the release lingers somewhere near the bottom for a little longer. This is advanced and not something I always use - it makes the bass cut when your note ends, but kind of bleed lightly into the next note still.


Once you get this how you like it, make the bass notes shorter than you want them, so you can hear the fade reach 0 at the right time or whatever.


Did that help any?

quote:

Originally posted by DJMikeyP Did that help any?

YES! Thank you, MikeyP!

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COMPRESSION

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