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| quote: | Originally posted by nebbian
Psy is one of those genres that tries to break the mould with every song, which usually means that unlike normal trance, the breaks don't line up. Psy music has many 'false' breaks where for 4 beats you think "Ahh here's the break", then the producer says "HA HA fooled you!!" and starts the melody again, except that it's 4 beats later than it should be. Also, the music is only just in harmony with itself, and adding in another sample (from another song) usually sounds bad. The upshot is that if you try to mix the same way you mix normal trance (as in, over 30 seconds per mix) you will be caught out.
Mixing goa well:
http://www.psyshop.com/shop/CDs/tip/tip1cd018.html
http://www.psyshop.com/shop/CDs/tip/tip1cd027.html
Mixing goa poorly:
http://www.hoipolloi.nl/djlurk/Bang...0n%20Mashed.mp3
There are three ways to mix psy/goa:
1) Pretend it's normal trance (BAD!). Cue up the first beat on the incoming track, get the pitch right, wait for the outgoing track to have a 4 beat break, and hit play. Slowly move the crossfader across every 32 beats. Usually sounds terrible (because chances are one of the songs will have a 4 beat break, then the two songs will be out of phrase with each other. Right?)
2) Mix the non-beat portions together. I've been to lots of parties where people do this. You can know nothing about beatmatching, not change the pitch, not even know what the cue button is for (like one 'DJ' who thought he was pretty good) and still make it sound reasonably good. Almost every psy/goa track has a section of weird non-beat at the start and end of it, which is ideal for people to transition songs together with. Doing it this way sure beats the first way, when everyone KNOWS it sounds terrible.
3) The hard way: Do it properly, the way the music cries out for it to be mixed. This is tricky, and requires a lot of preparation. You need to know where the breaks occur towards the end of your tracks. The idea here is to mix in maybe 15 seconds of faint incoming track and get the two tracks to go into a 4 beat break at exactly the same time. As the two tracks break, push the crossfader across to the new track. Done properly, no-one will know that you've changed the playing track, because it will sound just like the rest of the song did -- a weird 4 beat break followed by a new beat.
I write down where the major break occurs on my CD's, and when making a mixed CD I write down everything -- cue point, where to start it on the outgoing track, where to fade across, where to fade out, whether to swap the bass, whether to cut the treble, EVERYTHING!!
Psy/goa is so much harder to mix properly than trance, and when you don't know a lot about it you'd think that the DJ has no skill whatsoever (Look, he just banged the crossfader across, he's not even trying to beatmatch!!). The fact is that 'normal' trance and psy-trance require a different approach to make it sound good. Listen to Raja Ram, you'll be amazed!
Listen, practice, listen to your practice, then listen some more |
All of Raja's CD's are computer mixed...I've heard him live before, he was okay...A lot of psy DJ's just don't even bother to mix.
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Alcoholic Alliance
The Ecstasy (MDMA) Bible Thread 2.0
| quote: | Originally posted by Masonious
you win again dude - and nice move shoving the whole i figured out how to order pizza thing in my face. i tried that 4 and a half months ago and woke up with a Taiwanese transvestite but to Ygrene it's just, "anoother day in the life, noooo biggieee".
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