Ehm... you can easily do whooshes with plain white noise and some reverb.

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Latest releases:
Endless Cycles [Capital Heaven]
The Charlatan [Morphosis]

quote:

Originally posted by Mr.Mystery Ehm... you can easily do whooshes with plain white noise and some reverb.

White noise? As in an empy absynth bank or the likes?

Not too sure what you mean.

Thanks for the reply btw.

Yea

I would suggest looking for soundbanks and sound packs over the net

But i'll be a bit more helpful and provide some sites

http://www.krakli.co.uk/

http://media.fastclick.net/w/get.me...m/links.htm&d=f

http://www.geocities.com/SunsetStrip/Balcony/8644/

That should give u a head start the first 2 sites are definitly worth checking out

Sebastiano

P.S. Good Luck wit ur productions man

quote:

Originally posted by Jaye5024 White noise? As in an empy absynth bank or the likes? Not too sure what you mean. Thanks for the reply btw.

Not an empty bank, but with the oscillator/mixer section set to produce white noise and not the regular sine/square/saw/tri waves.

Then you can use the filters, effects etc. to make whatever whooshes tickle your fancy.

There has been a thread discussing whooshes on this forum, just do a search and you'll find more info there. Good luck!

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Monsoon - Astrosurf

Jaye,

Like you I was only recently thinking the same thing... how do I "fill" this empty sounding space in my music?

While there are samples and patches that can probably accomodate you (if you have several synths) you would do better to learn how the Pros here do it. What the guys here are saying is, that by learning how an oscillator can be affected by LFOs and filters, you can make your own ambient sounds and swooshes from literally ANY patch in ANY synth.
Simply knock out all but one oscillator and play around with the cutoff band and the resonance knob... tweak the heck out of things to see what does what.
Soon you'll find that your "WIND PAD" can become a whoosh just by removing (for example) the SINE waveform and sweeping the cutoff filter. Automate this, and you have a swoosh! Add some Low Frequency Envelopes and modulate it into some ambient spacey effects!
It all boils down to if you want to GROW as an artist or just continue to use "someone else's" samples.
Do the right thing!

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please review my latest AMBIENT track HERE.

^Thats easier said then done^

Sebastiano

Thanks for the help guys. I'm going to be trying all of these as suggested when I get home. Hopefully I can get the hang of things.

Please keep the suggestion's comming. They're really helpful.

quote:

Originally posted by djdustx ^Thats easier said then done^ Sebastiano

Not really - just tweak all knobs to the extreme until you get something usable

___________________
Latest releases:
Endless Cycles [Capital Heaven]
The Charlatan [Morphosis]

^Are u talking about making wooshes only? or a Osc channel with tweaking can make drum hits/claps/basses/percussions??

if so...Holi shit

Sebastiano

quote:

Originally posted by djdustx ^Are u talking about making wooshes only? or a Osc channel with tweaking can make drum hits/claps/basses/percussions?? if so...Holi shit Sebastiano

Obviously I'm talking about backing FX.

___________________
Latest releases:
Endless Cycles [Capital Heaven]
The Charlatan [Morphosis]

quote:

Originally posted by djdustx ^Are u talking about making wooshes only? or a Osc channel with tweaking can make drum hits/claps/basses/percussions?? if so...Holi shit Sebastiano

ain't that hard a pitch bend sine wave can make a beat, white noise can make hats and snare, waldorf q is great for percussion

anyway he was talking about background efx
It's all about fx and tweaking and EXPERIENCE
Spend some hours making only background efx.
You DO have to spend time in music
Don't always go for the easiest way out (where can i grab this, where can i grab that)

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