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for strings i tend to use chords alot so theres a big wide range of frequencies to deal with. i tend to make a wide 3dB cut around 1,500 to 3,000 hz to get rid of the telephone sounding quality and sometimes a high end boost at 8,000hz + for some air. BUT and i stress, this is HIGHLY dependant on what frequencies your string pad occupies. my strings setup tends to not have any prominant bass to muddy the kicks and bassline but i used to have problems with pads muddying my hats and shakers. hence the 3,000hz cut.
the only accurate way of EQing your strings effectively is to whack on a spectrum analyser and see where it sits on a frequency spectrum. it should be wider than most instruments have a bottom end that touches the low end kick and bass frequencies and a top end that goes waayyyy past 10,000hz. i tend to remember where my kicks, bass and hats sit in frequency terms then make small cuts to my string pad where these instruments have most of their presence. most of the kick and bass will reside around 50hz to 1000hz so ill usually make a notch on the EQ where most of their presence is here (again, consult the spectrum analyser). i also tend to make another notch higher up where the clanginess of the hats are, around 2,000 to 3,000hz. basically i have my pads literally 'pad' out all the empty frequencies in between my primary instruments. i also usually have it wide in the stereo field to distance it from my lead instruments which occupy alot of the same higher frequencies. most of my leads sit between 3,000 hz and 8,000 hz and are usually centred but again, i dont do anything without a spectrum analyser.
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