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DannyO
The Vinyl Hunter

Registered: May 2003
Location: Calgary.
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Once you get good, you don't need a beat to beatmatch, you can just hear the rhythm and go off that, also the way most music is made up of which are bars and measure makes the music predictable, this way when that breakdown comes and you want something to happen with the track your bringing in, you can time it, lets say that Push tracks breakdown is 64 bars long, and the track your gonna drop has something at 32 bars, and you want to have it that when Push kicks back in, the track your dropping also kicks in, well easy just drop it 32 bars in, they all vary, but they all work on things happening either 4/8/16/32/64/128.... bars later, this makes it predictable even with tracks you don't know, and even better with tracks you do know.
Well I hope this helps and that this was what your asking....I need sleep.
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Dec-07-2004 19:02
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UphoricNitemare
Senior tranceaddict
Registered: Dec 2004
Location: Kentucky, U.S.A.
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I also I agree. Just practice it. if you have some old classical records...try to mix those together. Eventually you'll get a feel for rhythm, and you'll be able to do that...the only way is to match the phrases. Even when you mix tracks with kicks...that shouldn't be what you use to match everything...just because the kicks match doesn't mean the songs do. Try this...when your mixing two songs with kicks, cue up the record for the first beat that has some kind of a melody (bass lines, arpeggios, etc.). Then your going to wait on the next record...wait until the melody is over and then loops...once it starts again, release the record. Sometimes matching phrases can be that easy. And of course knowing a pinch of music theory helps a lot too. Eventually you'll be able to mix the two songs without even listening to the kick....Just keep on practicing. Only experience will give you the edge.
___________________
~Euphoric Nightmare
Set
Tracks
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Dec-07-2004 19:19
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zoomzoom
Senior tranceaddict

Registered: Dec 2003
Location: pullman, wa, usa
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If you're having trouble, practice by counting 1-2-3-4, 2-2-3-4, 3-2-3-4, 4-2-3-4, etc. during your set. Notice how song elements come in multiples of four.
One of the most important things I try to teach people is the ability to find the one count. I don't know how many times I've heard inexperienced DJs match the beat, but on different counts (which sounds like complete shit).
Once you are able to match up the one counts, start developing a feel for the phrases. I say "feel" because I think too many people take a scientific approach to phrase matching, where they focus too much on counting the measures and trying to remember numbers. With practice, you'll be able to recognize the length of musical phrases naturally, and you'll be able to feel the right moment to start your cued track.
Hope this helps!
___________________
always in a state of trance
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Dec-08-2004 07:25
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