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| quote: | Originally posted by Freak
Thats the best way to do it.
get an initial batch pressed up, then approach your local indie record stores and get them to sell on a Sale or return basis, also approach places like juno and chemical who will do this if its any good.
You then mail some out (free) to certain djs who may play it and plug it like mad wherever possible. If it gets to the right people, its any good and with a bit of luck, you may get it played, signed or get offers of remix work.
just make sure the tracks are decent enough to sell to maximise any return. Rough rule of thumb is if you wouldnt play it out, then its shite and is unlikely to sell.
Plenty of cheap pressing plants about- try to get a recommndation from someone rather than going just on price.
And for mastering and cutting your glass master, take it to porkys on shaftesbury avenue,London W1.
COnsider also approaching a distribution company, for a P+D (pressing and distribution) deal, will save you heaps, but they have to be good tracks for them to take you on! |
Thanks for the info Freak. Some great stuff there. Once I feel my stuff is goos enough to be heard publicly I really feel it's something I want to do. I'm not in this to make big bucks, I just want people to dance to my music. I agree too on the fact of playing it out. When I finish a track, I think to myself "Would I walk off the floor or would I move to this? And would I buy this record or would I reckon it's junk?"
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Originally posted by xenos_declan
Yeah, that's true. Was at an Armin set last Friday and by God my arms were sore at the end of some of the breaks! You end up taking your arms down every so often rubbing them in pain and then straight back up again. Worth it though.
Stratotek:
Man, that is the best description of a good trance set I ever heard...
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