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When using compression on a complete mix, it's pretty usual to use very low ratio's. (I'd say 1,5:1 maximum). You don't want to squash the sound to death, you just want to work it gently on the overal signal (so very low thresholds also). Same for multiband.
Honestly, if you want to get things loud and still retain some macrodynamics, you can't really rely on master compression only.
Using decent compression in the mixing stage (not compression in the way of shaping sound like you would on kicks for example, but more to restrain the dynamics of the instruments/tracks) will already do wonders.
Don't be afraid to actively change volumes with fades in the mastering stage, it's done a lot. If a breakdown is too loud, but sounds good for the rest, there's nothing wrong with fading it down a bit. It's best done manually, as you can follow the music better than an algorithm can.
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