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Re: Researching your first CD/Digital experience
1. Was the first step of playing on a CD player daunting and confusing? If so what did you struggle with?
not really, i tried to focus on making the step from vinyl to cd easier by comparing the two and using the same technique while mixing. it actually makes you more tighter and focused while mixing with vinyl because unlike on decks, its a fine line between good and bad compared to being able to get away with so much on vinyl.
2. Did the thought of technology frighten you off at first?
not really, im intrested in new technology and after seeing the range of devices that help transform djing from being at times "one dimensional" to taking it to a more "live" feel, its worth looking at.
3. Did the cost of the equipment put you off for a while?
in my opinion, its pretty easy to get a laptop these days that is affordable compared to a few years back when prices were so high, its a big step with actual hardware like final scratch at £500+ and cd players costing between £300-1000 each for the best ones, but once you have them then you open up more opportunities with having a range of technology at your desposal. how you use it then is down to you and your abilities as a dj.
as of late, the news about the digital dj licence is confusing everyone and it makes you think that is it all worth it and what is the point in paying to download (legal) tracks to use digitally on cds or laptops when you have to pay firstly £200 to the PPL and then maybe another £500-1000 to another organisation per year, then it makes you think that the whole exercise is a waste of time.
4. Are there things today that you are still confused about; how to use the controls, what blank CD’s to use, what quality MP3’s to use?
not at all. i personally took to cds with the mindset that i was mixing the same way but with cds and got on fine. in my opinion it actually improved my vinyl mixing abilities and taught me to never be as lazy on the decks as you tend to get while mixing vinyl in the past.
most people these days have a basic if not advanced knowlege of I.T and knowing how to use the equipment. cdr's are used in almost every home in the uk these days so the whole process of changing to digital is easier than ever before.
5. In my experience, vinyl purists don’t understand technology, can’t afford the equipment and are frightened of change. They fight their cause when they haven’t even touched a modern CD player. Can you be honest and say yes you are one of these DJ’s?
i love the feel of mixing with vinyl and find it more stimulating but to be honest, if you dont move with the times then you get left behind. its each to their own really. its just down to ambition, perception, ability, comfort and even "to'mate'o" vs "to'mart'o" logic.
if you feel you dont need to experiment then thats cool, but if you want to broaden your horizons then go for it and try different technology and see if it can develope you as a dj or not. theres no harm in trying. especially if you are a specialist dj who finds it increasingly harder to get tracks and find buying digital is easier than being one of thousands tracking down the latest promo's to no avail.
6. Have your favourite DJ’s inspired you to change format?
yes and no. in my view its down to choice at the end of the day. but if you see a big name dj using the latest ableton or scratch live etc, then you become aware of it and fancy a try.
for me, its been a case that i can no longer hope that there will be enough promo's of the best and latest tracks around and at affordable prices on vinyl and with more labels and artists going digital, it makes sense for me to change.
7. Has the new format changed the way you buy your music, ie from download shops? Do you find more music this way? Those special one off magic tracks?
it just depends whether "the powers that be" actually let us play the music we buy because whats the point in buying full length tracks off the net from legal sites when we can not use them under any circumstances other than to listen on our own.
to be a dj is to play music you love. 99.999% of djs want to play the music that they love and they all desire to have an audience listening to them. however, if the likes of the P.P.L have their way then what is the point in paying to download full length dance tracks when you can not use them at all and lets be honest, apart from djs, who else is going to buy the tracks? sales will drop to almost zero.
people like myself buy tracks from online record stores because over the last few years, its been harder and harder and more expensive to buy vinyl versions of the latest tracks and to set yourself apart from the crowd, you need to look for the best tunes and some of those only get sold digitally. these days you cant get a good underground/promo track for less than £10-15 and if you want to keep your set fresh and up to date then its gonna cost you a fortune. so digital is much more practical and even more practical for the small labels and producers who can afford to sell over the net rather than pay for the demand of vinyl copies. but with the new licences, it means that djs will have to fork out £100s before they can even look at buying a tune and after paying for equipment, the whole process looks pointless.
where i live, the local HMV no longer stocks vinyl and the independant stores are either over 30 miles away or only stock out of date drum and bass. i dont want to play the same comercial dance that the major labels churn out and neither do the majority of djs. we want fresh music and upfront music by artists who love and respect the scene, not money men out to rape and pilage the dance comunity for a quick buck.
this licence for me does nothing more that act as a tax and stifles fresh growth in the dance industry and the use of new technology, there-by limiting djs to play the mass-produced comercial music that the major labels put out on vinyl and killing off independant up and coming djs and producers and effectively creating a terminal death in the scene. if it illegal to use cdr's or mp3's in your dj mix unless you are the select few who can afford to pay up to £1200, then what do companies which build the technologies like cds and mp3 platforms think? how do they see the licence that is effectively making their products obsolete or limited?. at the moment the whole digital platform is being manipulated and left unappealing to the masses because of the cost involved. with expensive licences, it could well put people off all together, if not end the idea before its begun.
8. + any other thoughts.
what do you think about the licence for digital djs john? because it effects the whole process of djing with cds and laptops and could kill off the whole idea completely.
Last edited by charlie lloyd on Jan-16-2006 at 04:53
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