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from another thread
| quote: | Originally posted by Luke Terry
firstly, as nik said, you have to be very careful when it comes to signing tracks, many a label are all up for it then back out, sometimes after contracts are sent out. unless you are qualified or know somebody else who is in the field of law it's pretty much lost love.
secondly, running a label myself i try and listen to whatever demos i do get sent but if i get sent shit clips in low bitrate via yousendit i'm not gonna bother replying. prepare for harsh words if this is you: you didn't listen to what the label is trying to offer soundwise, you sent me a short clip in crap bitrate so i can't even tell what the tune is like and you sent it on a free file hosting service. everybody gets free directly linkable space with their isp, so use it.
thirdly, if i have a nice full 192k+ mp3 i can see whether the artist has the potential either as a composer or a producer or both, excellent! i can play the track nice and loud, or in a club while setting up to see what it sounds like or even to an audience to give it some airtime to see what kind of reaction it gets. if it's good but not for the label i will forward it to somebody else with the artists permission who is likely to pick it up.
but please don't start caining out demos until you are completely happy with the sound of your track and it is respected likewise by others. even on here on the music producers forum there are people falling by the second pitfall i just outlined, and that's on the internet to be reviewed by producing peers. if they can't get a good impression of the track or help you the chances with a label are going to be a hell of a lot more slim
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