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Renegade
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Registered: May 2001
Location: Prague, Czech Republic
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A lot of this segues with the topic about the evolution of religious beliefs and the answer here is pretty similar. While it's unlikely that there would be much positive selection pressure for "creativity" itself, there likely would be positive selection pressures for the sort of cognitve functions that give rise to creativity.
There are sexual selection theories for the emergence of creativity (an individual capable of stimulating the senses of a potential mate has an advantage over those that aren't so capable - so human creativity, by this logic, would serve the same function as, say, a bird's mating call) but the problem here is that it doesn't explain how the parts of the brain responsible for creativity emerged in the first place.
I think the answer lies in our proclivity to engage with what anthropologist Pascal Boyer terms "supernormal stimuli". With regards to music specifically, he writes:
| quote: | | There is no human society without some musical tradition. Although the traditions are very different, some principles can be found everywhere. For instance, musical sounds are always closer to pure sound than noise.... To exaggerate a little, what you get from musical sounds are super-vowels (the pure frequencies as opposed to the mixed ones that define ordinary vowels) and pure consonants (produced by rhythmic instruments). The properties make music an intensified form of sound-experience from which the cortex receives purified and therefore intense doses of what usually activates it.... This phenomenon is not unique to music. Humans also fill their environments with artifacts that overstimulate the visual cortex, for instance by providing pure saturated colour instead of the dull browns and greens of their familiar environments. |
(From pages 132-133 of this book, which I think I've referenced on these forums about 100 times. )
So, in other words, we have parts of our brain devoted to the processing and creation of language that are stimulated when we listen to or produce music. There's compelling neurological evidence for this hypothesis (link) although it's not yet conclusive. There is, however, evidence of animals being engaged by supernormal stimuli to the same extent that humans are (see some of the work of Nikolaas Tinbergen) except the difference is that animals don't have the capacity for novelty that humans do - so animals, in a sense, are capable of appreciating "art" (supernormal stimuli) that specifically engages the parts of their brain that deal with sensory perception, though they are incapable of producing such "art". Humans, however, do have the capacity to create novel supernormal stimuli and this is likely a side-effect (or "spandrel") of our capacity for novelty in the expression of language.
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http://eschatonnow.blogspot.com/
Last edited by Renegade on Feb-23-2008 at 06:53
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Feb-23-2008 06:48
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Internet TufGai
Senior tranceaddict
Registered: Oct 2007
Location:
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I'd give a detailed explanation of my thoughts on the subject but I can't, kinda busy, this is an interesting thread though.
I think that music MIGHT be part of the way people select mates. Either that or our brains just like patterns. I read somewhere that most men learn instruments and stuff to pick up chicks rather than for the music, and that women use it as some type of mood enhancer.
Here's an interesting link on where I read that: http://www.howmusicreallyworks.com/.../1_5.html#1.5.1
As for theatre and it's cousins film etc. I think it creates a pseudo-social environment, and that's why we like it. Same thing with books.
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Feb-24-2008 07:44
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Lira
Ancient BassAddict

Registered: Nov 2001
Location: Brasilia, Brazil
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Re: Creativity and Evolution
| quote: | Originally posted by Krypton
Question: What role does creativity (music, art, literature, etc.) play in the evolution of homo sapiens? Why does creativity even exist? How would creativity aid survival of fittest? What purpose is there for creativity?
This came up while listening to music. I thought, "What is the point in putting sounds together, and why does it sound good to us?" |
Not many people know that in 1931, Adolf Hitler made a visit to the United States, in the course of which he did some sightseeing, had a brief affair with a lady named Maxine in Keokuk, Iowa, tried peyote (which caused him to hallucinate hordes of frogs and toads wearing little boots and singing the Horst Wessel Lied, infiltrated a munitions plant near Detroit, met secretly with Vice-President Curtis regarding sealskin futures, and invented the electric can opener.
It's unlikely that you've read/heard this sentence before, unless you know this book. However, you're able to understand exactly what this sentence means, even though none of it ever happened.
This was done simply by putting sounds together . You can, thanks to the advent of symbol processing, understand novel ideas, and create new sentences/combinations of yours. As Renegade already stated, human faculty of language is deeply intertwined with our artistic endeavours. Human-made symbols, of all sorts, surround our lives to such an extent, that most of us are completely oblivious to their importance. Our mental capacity of predicting and creating new situations (and being able to share these predictions), is certainly a major evolutionary advantage.
After countless millennia, the sounds and images we processed have become more and more complex, reason why modern drum'n'bass has little to do with the use of drums in battlefields. And, thanks to such radical development, arts have contributed far more to the advancement of humanity than science could ever hope to , as Lebez pointed out.
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Indiana Clones Upcoming Sets
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Feb-24-2008 18:11
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