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That wasn't taste in music, that was the year's most popular 11 tracks put together, mixed by a beatmatching program and slapped Oakenfold's name on the cover.
In terms of marketing, it was awesome. In terms of DJing or music, it was abysmal. But it did do one thing really well: codefied the template by which all banal DJ mixes would follow--and have followed ever since.
The template that--hey, it doesn't matter how good you are or how long it took you to find those rare tunes anymore. The DJ is more important than the music now, so if you go out there and tell the ignorant mainstream masses you're one of the best, they'll believe it, because they don't have a standard of comparison to judge you by.
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