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In terms of DJ friendly, this track isn't a problem, there is plenty with a half decent DJ to work with their. Don't worry about that part.
In terms of your EQ, you desperately need to tame the uper frequencies above all else, but some care needs to be taken with the lows also.
Make sure you roll off what you don't need on the bassline between 20 to 50 hz (This can change depending on sound etc) and then do the same for the kick.
On the kick and bass, lower some of the midrange frequencies to get rid of some mud. i.e. between about 250hhz to 800hz.
Route your kick and bass to the same bus and then compress them again and then place a stereo widening effect on there (Widebug for example) and slap it all the way to mono. Whilst the kick shouldn't need to have this it will help to gel the kick with the bass. If you want to separate the kick slightly more to emphasize the punch of the kick you can duck the bass with a sidechained compressor.
With the pad and lead, you need to roll off some of the higher stuff around 8khz to stop that big wall of hiss that you have there as it's sucking up heard room.
With higher stuff take out any frequencies that mess with the kick and bass frequencies below around 150 to 250hz.
Again with the snare rolls, you need to remove the frequencies that it has that shares the kick and bass lower region when it plays at the same time as them because at the moment it's eating into that.
You may also find that in some places, panning may be a better solution than EQing.
The other thing is that the main pad/melody is far too loud and this would probably go a long way to helping you pick out the rest that needs to be done.
I'm sure you are aware most of the above anyways so I'm sorry if I'm repeating what you already know.
Nice track otherwise.
Cheers
Nem
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https://www.mixcloud.com/Calvin_Karass/
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