Generally speaking anything that is not your kick or bass should be EQed on the lower end anywhere from 50 to 200 range depending on your sample (sometimes more).

sometimes working with already made samples you could get away with "not EQing" but in 95% of the cases you should still take some of lower end out to give more room..

you'll get the hang of it after doing it a few times and listening to the overall sound of the track.

P.s. watch the video tutorial that was posted a few days ago. you might have to watch it a few times because the guy has a really bad russian accent. It's defiantly worth to watch though.

yeah i ve seen the video and i learned a fair bit. but what im asking is how much low end should i take out cuz im already cut and average of -16db from the low end on a synth. i think my mixes are sounding pretty good as is but was just curious if i should be cutting as much as possible, or if it even really matter to cut anymore after cutting over -14db from low end? you know what i meen?

also i see in the video that the eq plunges of the screen in the lower end on some cases. should i be doing that to?

quote:

Originally posted by lowski what im asking is how much low end should i take out cuz im already cut and average of -16db from the low end on a synth. i think my mixes are sounding pretty good

My advice to you is to go by ear. its the best way you could learn EQing and pinpoint your problems. everyone have their way of EQing, so no one can really give you an exact digit that works with your synth.

asking people, books and tutorials can only help you so much. experience comes with the good old "trial and error" method.

Yes, the best answer to your question lies in experience. When I started cutting the lows out of my leads, I frequently cut too much out and they sometimes sounded incredibly thin as a result. It took me a little bit of time to know how much to cut in a particular situation.

And there is no "one size fits all" amount of cut. Sometimes I'll use lead synths which have a nice bit of lower mids, which contribute a lot to the character of the sound. It then becomes a decision of, do I cut those frequencies anyway or do I cut away some of the bass elements in that space?

It's a case by case decision.

Best piece of advice i've gotten lately is that, during EQing, don't be concerned so much with how the part sounds by itself, all that matter is how it sounds in the mix. So it may sound like crap by itself, but once all the other elements are there, it fills in that frequency gap and fills out the sound.

That's not to say you should ditch the main character of the sound. If that's IS the case then some tweaking of the synth may be in order. (This has become my newest challenge.)

With this is mind my mixes sound better. Smoother is the word I'd use actually.

I hope I understand your question. Like said here already, try EQing by ear, that's what I do. You generally don't want to go lower than 80hz with your synths, pads, and arps. Start at 10hz as you slowly roll the low end off the synth, keep going up in frequency till you hear the low end drop out of the synth. Now, slowly take it down in frequency until you hear the bass end of the synth. Repeat the process until you find a happy medium for the synth, enough bass end, but not so much that it interferes with the kick.

just play around and cut as much as you can before it has a detrimental affect on the sound of the whole mix. i think its nice when you hear a mix where synths share some space with eachother at the same freqs. i use a high pass on lead synths at about 150hz as a starting point and then adjust depending on the track. and maybe cut as much as 15db sometimes. cutting too much off the low end will make a lead sound thin and weak so i try to do minimal high passing if i can get away with it.

ok thanks for the advice guys what most of you have are explaining im already doing. i just was a bit unclear of weather or not there was a point in a synths freq were it can be cut as much as possible with out effecting the over all sound of the synth in the mix.

i am aware not to cut too much off , as to avoid a thin sound. but i also thinking that once you get below, um i dont know say 80Hz there really isnt anything below that freq area that a mid range synth is really contributing so i figure to cut it?. so on average the shaoe of EQ would look like this. slow rolling down -6db from 600Hz and then ok 80Hz- 60Hz do a highpass filter. these measurements are just off the top of my head, but in a general area. thats also kinda leads me to the other question in this thread.

once im finished my song, would it be safe to use and EQ as a global effect to take off just a little bit more from the mid range and high freq synths?. like maybe at 60Hz-80Hz, take off a few db. im not yet at this piont but i think im gonna give it a try once ive arranger and laid out my current songs.

oh yes one more thing, ive been finding that taking a bit off the highs of a synth can help out the mix to. specificly helping the leads and high end percussion. do you guys notice this as well?

hahah so many questions, i should just have an on going thread to ask questions from start to finish of a song. hahaha

anyway thanks for the advice , much appretiated

how would u completly cut say 200hz??

i high pass but its not a full cut but more of a gradual cut!

quote:

Originally posted by jey how would u completly cut say 200hz?? i high pass but its not a full cut but more of a gradual cut!

yeah its not a complete cut like at a 90 dergree angel but say from 300Hz down to 180-200ish. I can drop it down 18db. This is in the MClass EQ though , i dontknow what others are like. i find im using 2 EQs for most of the lead sounds to get the right shape im looking for though, but the above cut i was just talki9ng about can be done with one Eq.

i usually set up a high pass on everything but my kick and bassline with the rolloff starting at 250hz...i usually cut the rumble out of the entire mix too at around 40-50hz...for hi hats i cut out ALOT more.

if you are having problems with synths clashing try widening one extremely with a stereo imaging plugin...this sounds good especially repetitive and rhythmic synths that really should take a back seat to your leads melodies and chords. great example of this is prydz remix of 1983 with the arp he has widened from beginning to end. sounds great.

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