01. Tim Paris – Edges of Corrosion (Original Mix) [Marketing]
02. Radio Slave – Bell Clap Dance (Sebo K Mix) [Rekids]
03. Le Noir – Eleny (Radio Slave Mix) [Fling]
04. Underworld – Beautiful Burnout (Mark Knight Mix) [White]
05. Milton Jackson – Jinzou (Original Mix/Edit) [Urbantorque]
06. Marc Marzenit – Music Will Save Me (Original Mix) [Paradigma Music]
07. DJ F.E.X. – B4 After (Original Mix) [Robtronic]
08. Slam – Azure (Radioslave Mix) [Soma]
Pt 2: 00:48:52-02:12:55
09. Milton Jackson vs. Droido – Glasgow Kiss (Original Mix) [White]
10. Ash Turner – Eclipsed (Original Mix) [Noir Music]
11. Amir – Elastic Body (Tactik Mix) [Tapas Recordings]
12. The Droyds – All I Ever Wanted (Dusty Kid Needs Love Mix) [Rebirth]
13. Jeroen Verheij – Chica-Go (Rejected Remix) [Rejected]
14. The Mountain People – Mountain 005.2 (Original Mix) [Mountain People]
15. Guido Schneider & Jay Haze – Acai (Original Mix) [Tuning Spork]
16. Torro Remote – Fight Club (Original Mix) [Brandnewvibe]
17. Attias – Nebukai (Original Mix) [Still Music]
18. James Zabiela – Perseverance (Original Mix) [Renaissance]
19. Brancaccio & Aisher – Everybody (Original Mix) [Bedrock]
20. Lucio Aquilina – Magic M (Massi Reconstruction) [White]
21. Phonogenic – The Last Beer on Earth (Original Mix) [Cocoon]
22. Jim Rivers – I Go Deep (Original Mix) [Saw]
23. Star, Ito – Sudoku Kid (Fanciulli Mix) [Leftroom]
24. Joshua Collins – Lilo (Christ Fortier Classic Mix) [Urbantorque]
Played this live yesterday afternoon and enjoyed it a bit so I thought I'd share the recording. Spun on 2 CDJ's, a Xone 62, EFX 500, and PVDJ looper/grabber.
Note: I had an issue with my recorder in the middle of "Azure" - so I basically just edited the set into two parts. It's still one file, but there's an outro around an hour in, and then it heads right into the second MJ tune.
Enjoy - as always, love to hear your comments/criticisms/thoughts/etc.
Downloading now, some delicious stuff there. Thanks for sharing mate.
___________________
"Well son, a funny thing about regret is:
It's better to regret something you have done rather than something you didn't"
Dec-21-2007 18:59
callme:gsmile:
Supreme tranceaddict
Registered: Dec 2007
Location: callme:gsmile:
my neighbours like what they heard yesterday instead of the usual blaring of robots making shoes in a factory music, so im only downloading this for them.
Originally posted by[badass]isoterra[/badass]
someone who happens to be considerably more badass than you; i think you should learn from me.
Dec-21-2007 19:35
nrjizer
vive le deep
Registered: Jan 2001
Location: Bumfuck, GA
How the fuck did you get Jinzou? It was on Beatport for a few hours last month (by accident, it would seem) and I tried to purchase it, only to get an error. Then it was gone.
Originally posted by nrjizer
How the fuck did you get Jinzou? It was on Beatport for a few hours last month (by accident, it would seem) and I tried to purchase it, only to get an error. Then it was gone.
just one thing dude, why would you label this a live set. I mean its no different than when anyone else records from home (unless its that gay lay em out and piece the puzzle style.) Other than that its good. Just curious.
Originally posted by[badass]isoterra[/badass]
someone who happens to be considerably more badass than you; i think you should learn from me.
Last edited by callme:gsmile: on Dec-21-2007 at 21:05
Dec-21-2007 20:56
RJT
last minute disco
Registered: Oct 2004
Location:
quote:
Originally posted by callme
im renaming my set as we speak
ps you edited
/playful ribbing
Rolf - fair play, but it does sound a fair bit better than the "Skip-skip-crrarrrrash" noise that was in it's place
...
And just to be clear - I didn't mean to sound defensive or anything, I just thought this had been done before (I thought you and I had even discussed it ), but either way - when I do a promo, I do everything I can to get it right, I want the mixes a certain way and the amount of effort that goes into them is a lot higher than into something like this, and I guess I just think the distinction should be made so people listen in context.