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I frequently have problems with those basslines, too. They´re really hard to produce and each time is a new challenge...
I tried to get something close to "Thrill" for half a day but no chance. Not even an idea how it´s made.
I also use the layered approach. But I use Trilogy to make those basses, because it´s a dual rompler and you can use two different samples and mix them which I find quite useful.
Nevertheless, I usually back those basses by a row of other sounds that play around it..
I think a good example for how it´s made is O´Callaghan & Kearney - Restricted Motion (Airbase RMX). There you can hear first the "upper" bassline only, and after a little build up, the sub comes it.
But dunno how they get it to sound so much "forward"...
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"nee, de plaat heeft geen kras! dat hoort zo!!!"
Agenda 2009:
WinterWorld, Sporthalle Oberwerth, Koblenz
Trance Energy, Jaarbeurs Utrecht
Mayday, Westfalenhallen, Dortmund
Nature One, Pydna, Kastellaun / Hunsrück
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