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Thanks for the link to that thread! Pho-mo and the others gave me what I was looking for, thanks very much.
To the people who feel that following a structure is somehow "formulaic," I would just like to say one small thing.
ALL MUSIC IS FORMULAIC TO ONE DEGREE OR ANOTHER.
The true artistry comes not so much from innovation, but from exercising your creativity and artistry within the bounds of the form you are working in. You have to know what the rules are before you can go breaking them and innovating.
This is true of classical music, this is true of rock, country, hip-hop, even Balinese Cymbal Music has a form and a structure.
There is a very common term to describe music that is purely freeform and without any identifying structure: Jamming.
Nobody wants to hear you jam. People want songs. Discrete, organized units that are readily understandable and familiar.
The form and structure, especially in generalized form, is useful to teach a complete newcomer (like me, a classical musician) about the general style called Trance. I disagree strongly with the person who said "just listen to a bunch of tracks and try to copy that."
If I give you a list of ten classical piano sonatas, told you to listen to them and try to copy that, I haven't given you any real information. I've just shown you that I don't have a clue how to answer your question.
Would YOU be able to produce a sonata by just listening to dozens, hundreds, or even thousands of them? I have a four-year degree in Music Composition, and I wouldn't be able to do it like that! I would, at minimum, need to see a written copy of the scores to properly analyze them to a level where I could produce my own Sonata.
Someone said that classical music is so complex that it wasn't analogous to producing trance tracks. I disagree. The complexity of classical music is greatly simplified by the form. The less complex a piece of music, the more thorough the structure MUST be!
If you don't know that a Sonata is made of an Exposition section in the Tonic, Development section in the Dominant, and Recapitulation in the tonic, and this is what distinguishes the Classical Sonata form, then no amount of listening will teach you that.
So, again, I give my thanks and much respect for the *suggestions* about what a Trance track *might* consist of. At least now I have a very good place to start.
I do have to ask one question, though. And I will post a new thread with that.
Thanks again!
Dragon
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