 |
|
|
|
 |
Observator
Junior tranceaddict
Registered: Apr 2007
Location:
|
|
|
If you look back and analyze the Chicago club scene for the last 10 years you will see that this is a standard here. Back in the day of the infamous "P" promotion group using the same favorite djs to open for headliners was a norm. Now it's Dino (a very good DJ) and Milo (don't know him). It's who you know bro, not necessarily how you play. Before "Localized" the was the "Future Sound Of Chicago". I agree that this local talent show is not really designed to promote the djs but to ensure a good turnout by motivating the local djs to call their friends to come out and support.
|
|
Jul-06-2008 16:13
|
|
|
 |
 |
RJT
last minute disco

Registered: Oct 2004
Location:
|
|
|
| quote: | Originally posted by Observator
It's who you know bro, not necessarily how you play. |
And it's always going to be that way.
I honestly don't know what you're trying to accomplish here, Pete. First and foremost, there really aren't a ton of "big" non-trance shows drawing large crowds right now, so it isn't as if there are a ton of bookings to be handed out. Beyond that, Spybar just reopened (and has plenty of non-Dino and non-Milo openers booked for the rest of the Summer), and outside of Vision and Spy, there are plenty of nights out there to catch both non-trance and non-Milo and Dino events.
Even if there really was a market for a ton of non-trance shows, I wouldn't expect either Milo and Dino to pay money for talent that isn't making any return for them.
I imagine there's a reason the lineup for Vision for the next two months is dominated by trance and commercial prog: it fills the place. At the end of the day, both of these fellows jobs is to make money, not to please local DJ's.
___________________
last minute disco dot net
|
|
Jul-06-2008 16:30
|
|
|
 |
 |
peteone
Supreme tranceaddict

Registered: Aug 2006
Location: underground
|
|
|
| quote: | Originally posted by RJT
And it's always going to be that way.
I honestly don't know what you're trying to accomplish here, Pete. First and foremost, there really aren't a ton of "big" non-trance shows drawing large crowds right now, so it isn't as if there are a ton of bookings to be handed out. Beyond that, Spybar just reopened (and has plenty of non-Dino and non-Milo openers booked for the rest of the Summer), and outside of Vision and Spy, there are plenty of nights out there to catch both non-trance and non-Milo and Dino events.
Even if there really was a market for a ton of non-trance shows, I wouldn't expect either Milo and Dino to pay money for talent that isn't making any return for them.
I imagine there's a reason the lineup for Vision for the next two months is dominated by trance and commercial prog: it fills the place. At the end of the day, both of these fellows jobs is to make money, not to please local DJ's. |
I want to give some people reality check, i dont see anyone starting a topic like that in years..chicago edm scene is dying out...
| quote: | Originally posted by Observator
I agree that this local talent show is not really designed to promote the djs but to ensure a good turnout by motivating the local djs to call their friends to come out and support.
|
both of you are absolutelly right. "who you know"
its also about "how i can make money out of you, get your friends to pay full cover and pay you $50 for playing"
Observator - i know the last 10 years it was exactly like you said,
Pure at the time had Curly, Prasad, and Lauer( who personaly i think is a great and so underrated dj in chicago).
Because of the whole "money situation" John and Jay got "removed" and James was whole another story, and ended up at smartbar (well right now RedNo5 (go james! wish you all the sucess with new "The End")
Pure was probably the best thing that happened to this city when it comes to the scene - great shows, lineups etc. Not a lot of commercial shit. Too bad they fucked up so much at the end.
|
|
Jul-06-2008 19:17
|
|
|
 |
 |
dynomite8
Supreme tranceaddict
Registered: Jan 2007
Location:
|
|
|
no reason to ever question dino on the events he plays or casts dispersions about the way he books his talent.
milo as well.
this thread is out of order. there are a million djs. anyone who wants to be noticed, the onus is on them to create a product that makes a promoter or music director notice them. no one in chicago has ever been handing out gigs. people work with people they fundamentally trust especially on prestige bookings/less financially viable nights.
if anything i think dino doesn't play enough considering it's his club, and the amount of time and energy he puts into the place and that it's his $ on the line.
|
|
Jul-07-2008 11:29
|
|
|
 |
All times are GMT. The time now is 04:47.
Forum Rules:
You may not post new threads
You may not post replies
You may not edit your posts
|
HTML code is ON
vB code is ON
[IMG] code is ON
|
|
|
|
|
|
Contact Us - return to tranceaddict
Powered by: Trance Music & vBulletin Forums
Copyright ©2000-2026, Jelsoft Enterprises Ltd.
Privacy Statement / DMCA
|