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Ok, firstly, any type of mixer/controller like this is really over rated. Having physical fader control is fantastic for recording, because you NEED to ride faders very often. It's very unnecessary for EDM though. I'm willing to bet you'd rarely use it. Anyway...
I strongly recommend going the control surface route.
The biggest problem with standard outboard mixers is that the parameters aren't recallable. When you change projects, you effectively have to re-mix it. I don't like to work this way. I like to have everything automatically recallable when I open the project. Likewise, another problem is that you're going to forget what channels in your DAW are routed to what mixer channels.
If you really want an outboard mixer, get a digital one that is totally recallable (ie. has motorised faders and memory space). These will be expensive though. Likewise, you'll need to buy a soundcard with lots of I/O, which will be a fair bit extra too.
Conversely, if you get a Mackie Control, you have 100% recallable mixer settings and LCD readouts for every channel, which say what controls are linked to what. You can also control an unlimited number of DAW channels, by shifting accross.
One benefit of having an analog outboard mixer is that it's analog and you can brag about how much moar analog your trax have. FYI: this is a load of horseshit, for the most part. To demonstrate; someone started a thread on here asking how to sound like Eric Prydz. Alot of people immediately jumped on, saying that he must be analog'd up the wazoo and use no less than an SSL... turned out he uses an old laptop with Logic 5.5. Food for thought.
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