ive been using a fl for a wile now and have come to know
the pro's and con's of the program.

but what i want to know is the prosess you people go through in order to build things up or to get things to work for you?

because i find it the most anoying part if making tunes.
siting there finding ways of making noise work for you
without playing turning things into key components before things have
balanced out.

ive listend to a lot of tracks made by pro's and 90% of them,
are put together with just key components.

i find it all a bit anoying so any clues or advice people?

thats where less is more comes into play

you can produce a tune with 100 channels and it sounds crap

and you can produce a hit with 20 channels

intro
buildup
breakdown
ending

all you have to think about

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quote:

Originally posted by adi_hanson thats where less is more comes into play you can produce a tune with 100 channels and it sounds crap and you can produce a hit with 20 channels intro buildup breakdown ending all you have to think about

i know what you meen and yes i do think in order ie start from the bottom and work my way up.
but in looking more for making things you need sound full and good without over effecting. other wise things become to bottom end and thin

pads?

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With a crane.

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omfg that was so funny.

NOT.


I suggest listening to Deadmau5. He uses FL and does a great job with building things up and getting to a climax.

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I use sidechain and analog, really helps things along.

quote:

Originally posted by hasbone I use sidechain and analog, really helps things along.

yeah ive used sidechain/heavy loops to fillout the gaps. but when it comes to finding a good center i allways fall into the trap of making bassis witch leads ot my shit falling into the tec/trance genre.

i use my center keys c5/c6 and cut out all lower freqencies.
but it seems,at least with fl
thiers no escaping that synth like sound.

quote:

Originally posted by airwalker1 but it seems,at least with fl thiers no escaping that synth like sound.

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quote:

Originally posted by hasbone I use sidechain and analog, really helps things along.

See, you've got the hang of it.

I'll give the OP same advice I've given a thousand times: you need to route the flux capacitor to the modulator envelope. THEN use a crane to make it higher.

quote:

thiers no escaping that synth like sound.

When I'm using a synthemisiser I have the same problem. How can I lose the synthness of the sound coming out of my synthefryer?

quote:

I suggest listening to Deadmau5. He uses FL and does a great job with building things up and getting to a climax.

For the record, he uses logic now. And this is a great idea, I will attempt to get to a climax (which I've been having some trouble with for some time) through listening to repetetive 8th notes. I may also gain 2 inches as well Joel, do you have any advice for a guy trying to get to a climax?

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quote:

Originally posted by kitphillips See, you've got the hang of it. I'll give the OP same advice I've given a thousand times: you need to route the flux capacitor to the modulator envelope. THEN use a crane to make it higher. When I'm using a synthemisiser I have the same problem. How can I lose the synthness of the sound coming out of my synthefryer? For the record, he uses logic now. And this is a great idea, I will attempt to get to a climax (which I've been having some trouble with for some time) through listening to repetetive 8th notes. I may also gain 2 inches as well Joel, do you have any advice for a guy trying to get to a climax?

ile look forward to hearing your next pro relese or anything worth listing to

quote:

Originally posted by airwalker1 ile look forward to hearing your next pro relese or anything worth listing to

And I'll look forward to the day when you finish primary school.

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