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| quote: | Originally posted by spolitta
You're trying to accomplish the impossible. When it comes to high end monitors it's very much all about personal preferences and room acoustics |
No, because that's exactly what I'm looking for! Personal opinion from the producers here that we all know, for our specific use!
Looking at the studiopics thread, there are a lot of people on here have decent to sometimes great setups, so hearing from them as to what they personally think would be useful to everyone.
For instance, you have K&H and I doubt you've set them up in your cupboard with eggboxes as acoustic treatment....so give a us a few pros and cons with a summary of how you find them!
Alanzo - you've got focals(?), I know there's been a great review by Eric J but a quick summary by you or him would still be very useful for reference.
I really was hoping to get mini reviews of everything from KRK's, Truths, Mackies, Adams, focals, JBL's, etc.
Finally Palm, I've used the MB2SA quite a bit in the studio.
Pros:
amazing bass response
Incredibly clear mids and highs
No scoops in frequencies
Amazing stereo image, large sweet spot, without being too broad as to mislead.
Cons:
They are fucking huge (over 3 foot high)
You need a huge room to stop the bass driver booming in the space.
They weigh a ton and you need structured supports to hold them and proper decouplers too (monitor stands won't cut it).
A very small number of people (only studio musicians) in the sessions found them too dead, meaning they didn't feel like they were complimentary from a purely musical standpoint (I felt it was because they exposed every flaw).
Summary: Possibly some of the best monitors I've ever heard, especially from and engineering point of view but forget it unless you have a seriously large control room and suitable professional acoustics, not mention wallet (at $12,000 a pair second hand!!).
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