Yeah, I've been using it for a while. The FabFilter stuff is great -they have some of the best sounding filters around IMO and really cool interfaces. I love the way you can show/hide the parameters of each module - it keeps the interfaces nice and tidy. Timeless2, Volcano2, Pro-Q, and Pro-C are excellent as well.

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Sonar Platinum | Ableton Live 9 | Logic Pro X | Access Virus TI2 Keyboard | Kurzweil PC3X | Nord Lead 4R | NI Maschine

yes the filters on the synth are very impressive. Very clean.

This or Sylenth1 for analog?

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probably an analog synth would be your best bet.

quote:

Originally posted by cryophonik Yeah, I've been using it for a while. The FabFilter stuff is great -they have some of the best sounding filters around IMO and really cool interfaces. I love the way you can show/hide the parameters of each module - it keeps the interfaces nice and tidy. Timeless2, Volcano2, Pro-Q, and Pro-C are excellent as well.

Been trying out the Pro Q, sounds are very responsive to it, you tell it to cut a frequency range, and its wiped out. Still trying to figure out if it imparts a dampening veil over sounds. Because I eq'd the same sound through a waves EQ and somehow tones came through clearer, might need to test it out on some more sources.

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commercial and underground electronic music (house/techno/trance/other) will surpass today's hip hop/pop/rock/country in worldwide interest...if it has'nt already.

I had Twin 2 and sold it within 3-4 days.

Then again i'm no fan of Zebra or Massive either so i'm obviously just wierd.

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