Sven Miracolo



The Mews studio (were The Prodigy used to mix)

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Richard Devine



Luomo studio



Trente Reznor (NIN)







Jonathan Peters

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Depeche Mode





Danny Tenaglia



This might turn out to be a fun thread to read but please let stay on point shall we?
No off topics no flaming no trolling here.

quote:

Originally posted by Existo22 Danny Tenaglia

perfect, one def need PA speakers in adition to monitors.

Armin's first studio I think...

quote:

Originally posted by Felix Hoo Armin's first studio I think...

That looks bloody despressing. If he made Blue Fear in there the man is a genius

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quote:

Originally posted by Luke Terry That looks bloody despressing. If he made Blue Fear in there the man is a genius

He made Blue Fear using only an Akai S-2800 sampler with delay as the only effect, no EQ or anything.

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quote:

Originally posted by Subtle He made Blue Fear using only an Akai S-2800 sampler with delay as the only effect, no EQ or anything.

Just goes to show how much a good mixdown really matters

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Armin's studio looks eerie, like it could be used in some Poltergeist movie scene. The clock, the loneliness, and just this weird atmosphere in the pic. I would never be able to make music in there. I wonder if that's why he called it 'blue fear'. perhaps he was afraid. lol i dunno, thats just how i look at it.

quote:

Originally posted by SGL Armin's studio looks eerie, like it could be used in some Poltergeist movie scene. The clock, the loneliness, and just this weird atmosphere in the pic. I would never be able to make music in there. I wonder if that's why he called it 'blue fear'. perhaps he was afraid. lol i dunno, thats just how i look at it.

Haha +1

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quote:

Originally posted by davedresden it's a good thing your tits have no bearing on the outcome of my career

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I'm kinda surprised at how many of those studios have modular synths, but I suppose if you've got the money to buy 'em, the extra space to keep them, and the time to program/patch them and write down all your settings and routings, it's probably worth it.

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quote:

Originally posted by cryophonik I'm kinda surprised at how many of those studios have modular synths, but I suppose if you've got the money to buy 'em, the extra space to keep them, and the time to program/patch them and write down all your settings and routings, it's probably worth it.

I work with a lot of people that have some extremely serious modular synths (some that take up entire dedicated rooms) and even though they do have assistants to re-patch them, they are basically only used for one sound or so per project. Often they are just to slow to work on but they get used for that one killer bit of sound design.

Also, a lot of time in studios, it's just for wank factor, a cool toy and frankly they can afford it.

Could we get some more close ups of luomo's studio, it looks like one of the coolest I've ever seen TBH.

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Now this my kinda Lab. Out of all them, i'd wanna work there and The Depeche Mode studio second and The Mews third. Not into the clinical setup of some of the others. They all would be great places to throw things down in.

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commercial and underground electronic music (house/techno/trance/other) will surpass today's hip hop/pop/rock/country in worldwide interest...if it has'nt already.