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| quote: | Originally posted by RichieV
How can you stand the sight of that monstrosity. That would be the biggest con for me. It looks absolutely revolting. |
I should bounce a track through it's MIDI - a full blown track - just so you can hear it's pristine 22,500 (Digital - NOT analogue) Hz, 8-bit glory. It has the sonic fidelity of a home-made record from the 1930's and the piano... Well, every voice, really, is startlingly bad - horrific.
Bland, Static, Unconvincing, Dull, Trite, Blunt, Obvious, Unlistenable
It's a child's toy and a bit of an irony as it's currently hooked up to one of the most expensive pieces of software money can buy (apart from top-shelf Pro-Tools, I surmise).
I got it for free and it's been reliable through every song I've produced in the past three and a half years - but I have to admit, having had my hands on Ensoniq, Kurzweil, Casio (Pro - VZ1), and Alesis (QSsux.1), the action of the unweighted keys is comparable and the keys have taken a beating while remaining ultimately faithful in their duties.
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Now with extra singles!
my old stuff, not quite up to snuff - but I still dig it - UPDATED 9/23/2012
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