Start here :-

http://www.youtube.com/watch?v=8bEskmkJbRY


And see what else you need to know after that!

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Erm...

did you read the thread I started where sean tyas himself explains it?

on the main page? no... with sean tyas and bassline in the title? No...

its here

http://tranceaddict.com/forums/show...7&forumid=48&s=

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Processing a highly structured and complex pattern of sensory input as a unified percept of "music" is probably one of the most elaborate features of the human brain.....understanding how music is perceived and how it may elicit intense sensations is far from being understood.

B = kick
X = higher octave bass
x = lower octave bass

BxXxBxXxBxXxBxXx

Basic rolling bassline right there, but you could change it up

And yea your right, you need decent percussion, not too much just enough.

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i think you should worry about white noise more, just remember infuse that stuff all across your track, or it wont be signed to anjunabeats.

quote:

Originally posted by msz i think you should worry about white noise more, just remember infuse that stuff all across your track, or it wont be signed to anjunabeats.

Have been focusing on noise so freakn much myself lately. I continously here very boring stagnant basslines that are saturated with distored noise grooves and it seems like 90% of the drive is coming from the instability of how the noise is incorporated.

But its truely amazing what noise can do for an avg bassline when used correctly, it can really set a bassline on fire imo.

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Sequencers: FL Studio 9XXL & Reason 3.
Main Synth Bass GTs - Pro-53, V-Station, Sytrus, Subtractor, Trilian, Blue, Sylenth & Z3ta.
Main Synth Lead/Pad GTs - Z3ta, Sytrus, Sylenth, Vangard, Albino & Nexus.
Main FXs GTs - Waves Plugins, Soundtoys, Volcano, FL Native FX.
Hardware - Truths, Echo Audiofire, Virus Snow, & Novation Xio Midi-Synth.

quote:

Originally posted by DJ Robby Rox Have been focusing on noise so freakn much myself lately. I continously here very boring stagnant basslines that are saturated with distored noise grooves and it seems like 90% of the drive is coming from the instability of how the noise is incorporated. But its truely amazing what noise can do for an avg bassline when used correctly, it can really set a bassline on fire imo.

True, just a tad bit can make the bassline sizzle!

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That airbase tutorial was invaluable, as was reading Tyas's words.....definantly enough to get me started

Yeh im sure im gona hav white noise issues once im trying to piece all the parts together, guess ill hav to deal with that issue later at this stage just tryin to get all the sounds im looking for to put a track together...

Cheers guys

Wow, what's up with basslines lately, everyone is racing about it. But anyway , one thing to take note is that , if your looking for those trance running bassline, one synth wouldn't be enough to do the job. Your gonna need to layer your basslines with multiple synths, especially doing so with different synths. Just my 2 cents. ^^

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quote:

Originally posted by IceColdWater Wow, what's up with basslines lately, everyone is racing about it. But anyway , one thing to take note is that , if your looking for those trance running bassline, one synth wouldn't be enough to do the job. Your gonna need to layer your basslines with multiple synths, especially doing so with different synths. Just my 2 cents. ^^

True, 2 mid basses layered and 1 sub bass (all sidechained) should be good, but its become so cliche in trance.

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quote:

Originally posted by sako487 True, 2 mid basses layered and 1 sub bass (all sidechained) should be good, but its become so cliche in trance.

Sometimes I can go to the extent of using 5 mid basses , 1 low bass and 1 sub bass , and in the end , it doesn't sound much compared to 2 mid basses.

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Like i said I used 5 basses and an acid line in my last remix, first time i 'really' achieved that driving modern sound.

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Processing a highly structured and complex pattern of sensory input as a unified percept of "music" is probably one of the most elaborate features of the human brain.....understanding how music is perceived and how it may elicit intense sensations is far from being understood.