|
Hell yeah baby this is sick Even had to turn it up. I'm not sure if I can hear the bass coming out very much. I hear the bassline you have that is saturated in reverb, but I can't hear any sub bassline supporting it. The breakdown part with the triplets at 1:45 will make many tranceheads happy, but try to lessen the reverb effect once that part comes into play so we can enjoy the actual sound of the synth and not the reverb effect. It makes it sounds tighter and cleaner. You can automate the reverb to gush again after the breakdown part. The sub part seems pretty weak to me. The snare/clap could be fatter in the mix too. Maybe a slightly longer tail.
Clubland speak: I would suggest capitalizing on a more concerted theme once you hit the breakdown (hook), there are a lot of very nice melodic efforts but due to the saturated nature of some of the synths(reverb almost exclusively), the energy is sort of lacking definition. I would say, dry out those breakdown parts, and tame the reverb a little more. Make the breakdown hit hard and focus on a theme. Good luck!
p.s. Try messing with the automation on the bassline, perc, whatever, or adding some glitch FX, etc. Gareth Emery has hundreds of edits in his tracks, just keep that in mind. It will be the cherry if you can get some dynamic elements to help your tune stand out, and you'll go far.
Big thumbs up, fantastic effort.
Last edited by Evolve140 on Jun-17-2010 at 06:02
|