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Yes it was me that said it- they are shit.
Maybe not so much for someone who is just playing at home, but for touring or playing out with any regularity they massively overcomplicate things, are WAY too long, and the original longer multicores have a really crap join in them that causes problems.
I made my own-and have used them constantly with no problems...and ive made a couple of sets for a couple of big names too after they too had problems with theirs & liked my method.
They were basically microphone cable (thick, and good screening) with decent RCA plugs on the end.... you can get all the stuff you need at maplin for not much cash at all, and a little soldering yourself.
You will have no problem using normal off the shelf regular RCAs though- just buy them in different colors, use tape, or some PVC tape with the in/out etc scribbled on them, or put labels on the cable end, then clear heatshirnk over the top.
Better still, learn your box rca layout, plug them one at a time, then you dont need to label them at all - saves you trying to read small labels or see colors in the dark or when pissed.
If you have to have seperate colors for each cable, then buy some colored XLR cable, (you may have to buy pre prepared cables, in which case, desolder the XLR plugs and solder on the RCAs.)
Will be a good idea to label them too though.
PM me and i will send you the link to the RCA plugs that work well with the audio 8 (some types dont work too well with it and dont stay in solidly...)
FYI - i use the same mic cable + RCAs for turntables and remove (solder internally) the ground....much neater, longer and engineer-friendly, and more robust & better signal than the original shitty technics RCAs.
Last edited by Freak on Aug-16-2010 at 23:25
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