Break this track down for me in detail, review and rate it.

Notable track for me for two personal reasons. Firstly, it's part of one of the best transitions I've ever heard, from the beginning of Sand Leaper's progressive house genre challenge mix from 2009, of all places. Now it sounds incomplete when it isn't melding with the Bedrock remix of Intoxication.

Secondly, hearing this track out convinced me of the merit of the "It sounds great in a club" argument, because this was probably the first record I was already familiar with that totally came to life on a club system. The track is typical Leftfield beat alchemy, fusing dub bass power into a ferociously hard-edged and impossibly danceable house groove.

And yet, it's still aggravatingly not as brilliant as it could be. It's too long for its own good and needs attentive DJing to really work properly. The dub section at the end is great and all, but it feels tacked on. I can't imagine why you'd play it through that far. It would have been nicer if they'd cut that off and made a dedicated dub of the track. It's not like the release was flooded with remixes.

So it's great, obviously, but unwieldly. This is the kind of track I like the most from Leftfield, that slightly earlier material where it was pounding, muscular dub-wise grooves. I think they went too far into trying to appease the NME hype on the albums, too many songs and too much rockism.

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Mixes:
> Maximum Elevation [Progressive House]
> DI.FM 26th Anniversary Guest Mix [Progressive House]
> Live @ Dance:Love:Hub London, 11.10.2025
> Higher Peaks [Progressive House]
> Dance:Love:Hub Afterparty (The Return) 23.11.24

Like these sets? Come see me play live at Kibosh in Manchester: https://www.instagram.com/kibosh.mcr/