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SYSTEM-J
IDKFA.

Registered: Sep 2003
Location: Manchester
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Jul-12-2011 15:37
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pozz
Supreme tranceaddict

Registered: Nov 2007
Location: 1000mile island
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for sure.
i have no idea where this topic is gonna go though. my instant reply is that most new stuff is boring -- which is quite pointless as a comment.
the very real difficulty is finding some way of making sense of the situation. "look harder" doesn't cover it. anybody familiar with my mixes knows i dig deep into ambient music, but what they don't know about the tracks i end up choosing is that, for the most part, they are fairly boring. i end up having to do some very complicated layering and arrangement for the mix to flow and have some sort of direction. most tracks, on their own, will not keep you interested for the entire duration, and usually only have one redeeming element or section making them worth keeping. it was always part of EM to sample and sift and choose between old material. the 50s, 60s, & 70s EM composers made much of their material working with samples, for instance.
maybe the only difference today is that we have so much access to older material that we are forced into the position of "sampler". what's the last album you actually listened to end-to-end? what's the last album you would listen to end-to-end again?
i can't even think of a single contemporary producer who is as prolific as someone like Tilt in the trance scene.
one of the only avenues that will still bring interesting material is the jammed mix, one of those using 100 tracks arranged on a beatgrid to make totally new material. i've yet to see one that busy worth multiple listens, but i'm thinking someone devoted enough to today's trance would be able to recompose samples from about 300 tracks to make an hour's worth of interesting stuff.
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Jul-13-2011 02:58
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Bierheld
Supreme tranceaddict

Registered: Aug 2010
Location: Utrecht, Netherlands
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Meh, not so much. Maybe about 20% of what i buy these days is pre '10.
I've become a bit of a musical omnivore, focussing on the utilitarian approuch to finding music. Whilst genres swell and subside, if you just focus on what purpouse he music you're looking for should have, be it energetic, alien, visceral, groovey, uplifting, melodic or any other of such. There'll always be plenty to find. A lot of the time i'll end up in experimental or genreless music, which adds some extra intrigue. I'm still drowning in music really.
___________________
Mixes: Alaé (Conceptional ambient dub)
AOTSE (Experimental)
Listens:
http://www.last.fm/user/bierheld
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Jul-13-2011 08:58
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pozz
Supreme tranceaddict

Registered: Nov 2007
Location: 1000mile island
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| quote: | Originally posted by Bierheld
Meh, not so much. Maybe about 20% of what i buy these days is pre '10.
I've become a bit of a musical omnivore, focussing on the utilitarian approuch to finding music. Whilst genres swell and subside, if you just focus on what purpouse he music you're looking for should have, be it energetic, alien, visceral, groovey, uplifting, melodic or any other of such. There'll always be plenty to find. A lot of the time i'll end up in experimental or genreless music, which adds some extra intrigue. I'm still drowning in music really. |
i would assume this is true for most on this board. the issue is that when you are looking for a specific sound, especially within EDM, then the amount of contemporary releases you end up working with is very small. i never trawl on beatport because finding music via other sources is much more effective. but, then again, i don't spin dance music.
spinning IDM/experimental music means you have a much wider palatte of stuff to choose from, and this was always true, even from the early days of electronic music.
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Jul-13-2011 17:29
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