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LoveHate
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Registered: Oct 2006
Location: Vancouver
simon cann

so i have been debating picking up this book...by simon cann i have read some reviews about it..but i wanna hear more from actual people...ive read his free book online and it was informative..but this book looks like the real deal..ive only heard one person give a negative review to this book...who basically said it was like reading the manuals of the synths featured in the book..so that got me sorta up in the air..

http://noisesculpture.com/becoming-a-synthesizer-wizard

Old Post Feb-03-2011 02:47  Canada
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cryophonik
Boom shanka



Registered: Jan 2008
Location: Elk Grove, CA USA

I have his older book for Cakewalk synths and I've flipped through the Wizard book on numerous occasions. It's based on the same paradigm as the earlier book in that it walks you right through the steps of designing a variety of sounds using several different synths. Cann does a great job of explaining concepts so that you can apply what you learn to other synths. It's nothing like reading a synth manual and that's the main reason that it gets great reviews, so I'd just ignore that one review.

There's not a book that I would recommend over Cann's book for getting up to speed on synthesis quickly, but if you want another book to supplement it, you might want to check out "Power Tools for Synthesizer Programming: The Ultimate Reference for Sound Design" by Jim Aikin. As the title suggests, it's much more of a reference and won't teach how to program given sounds the way Cann's book will. But, this book goes pretty deep into teaching you the terminology and types of synthesis and synthesis parameters out there. While it may seem sorta dated in that it is 7 years old and doesn't use many real-world examples with current synths, the concepts are general enough and explained in enough detail that you can apply them to whatever synth(s) you have at your disposal.


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Old Post Feb-03-2011 03:10  United States
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LoveHate
...........



Registered: Oct 2006
Location: Vancouver

thanks for that, i might actually go ahead with this now, i read the first few pages online and it seemed pretty informative but still easy for a guy like me to read at the same time..and fyi the person who gave me the bad review was a fellow ta.

Old Post Feb-03-2011 06:11  Canada
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ambient_chris
tranceaddict



Registered: Sep 2010
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i have also considered for a while purchasing this book. Can i use the principles of this book and adapt them logic synths???

Old Post Feb-03-2011 12:50  United Kingdom
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LoveHate
...........



Registered: Oct 2006
Location: Vancouver

quote:
Originally posted by ambient_chris
i have also considered for a while purchasing this book. Can i use the principles of this book and adapt them logic synths???


yeah i think thats the main reason i wanna pick this one up, because it serves as a guide for all synths,

Old Post Feb-03-2011 22:00  Canada
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LoveHate
...........



Registered: Oct 2006
Location: Vancouver

just went ahead and bought it, should be here in 6 to 8 weeks.

Old Post Feb-12-2011 22:18  Canada
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Terrence Parker
1.6180339887



Registered: Mar 2004
Location: Germany

New e-books from the Synth-Wizard


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Old Post Oct-31-2011 13:50  Germany
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cryophonik
Boom shanka



Registered: Jan 2008
Location: Elk Grove, CA USA

quote:
Originally posted by Terrence Parker
New e-books from the Synth-Wizard


Thanks for the heads-up. I just picked up the FM ebook ($2.99).

I was going to pick up the sample-based ebook as well, but I'm a little disappointed in the content. Looking at the TOC in the sample, it looks more like a primer on using 1990s E-Mu samplers. I was hoping that it would get into discussions of granular, spectral, and additive synthesis using audio samples, but it doesn't look like it does. With synths like Alchemy, Omnisphere, Harmor, Reaktor, etc. around these days, a modern discussion of sample-mangling synthesis would be an excellent resource. I think Mr. Cann missed an opportunity here.


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Old Post Nov-01-2011 17:19  United States
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