|
The Truth Hurts (Calgary's hurting scene)
I have been a fan of electronica for a long long time. I've mixed countless cds, played for groups as often as possible, and won over numerous converts.
I had hoped at one point to actually dj somewhere in a club - not that I would get rich doing it, but it would be something I loved. I told myself that I would also never sell out in order to get into the club. I would never play something I didn't enjoy, would never go with the disposable urban scene which seems to make up so much of Calgary's bar playlists.
Now though, I doubt that that could ever happen. As much as I love the music, I don't think Calgary's scene will change much over the next few years. I thought that it was getting better, with a ton of big name dj's coming and fair support for electronica in clubs.
It was a post on a different message board (Calgary based) that really opened my eyes - for the better or the worse. I don't really know what to think about it, and don't really have a lot to add above and beyond it - but I will include it here so you guys have an idea of where my pessimistic thoughts stem from :
************
quote from calgary mesg. board
************
Ok, I am not going to dis the music, but from a business standpoint, it is not the greatest in a club atmosphere. I know first hand from the financial end. We put on the shows and we or the clubs lose the money. If you don't like it, you can call Marco V and try doing the show yourself.
Part of the problem is that these fucking trance DJs ask for way too much money. Unless Armin reduces his fee by a couple thousand bucks and flies coach instead of asking for 2 business flights, it will be a cold day in hell before we bring him out.
1. Ferry Corsten would have lost huge money had it not been for Goldclub Series sponsorship
2. The first Armin show broke even. And that was with Goldclub Series sponsorship. I don't do shows to break even.
3. The first Tiesto show was off the hook, a huge party at Max Bell, lots of hype, our biggest event of the year. Trance does work at a bigger party. Nothing else needs to be said about that.
4. We lost over $9000 on the last Armin show. It was a sausage-fest and everyone was tweaked out. Sorry trance kids, but bars need to make money on bar sales, and having a 80% male crowd all worshipping the DJ is not good for business and didn't help our club night. We have to do club events that attract females, sex sells and have found that more times than not, girls aren't really into trance. If we do another club night, its going to be majority house with prog. Sorry if you don't like it.
5. Anything that is progressive-trance-like will be supported. Ie : Christopher Lawrence, maybe a bit of Sander Kleinenberg.
I maintain my stance that unless it is a special circumstance or the right now, my interests are not in hard house or trance. People dont want it in their club nights unless they are fucked up.
Bottom line is that we'll do anything that kicks ass and sells tickets for a special event, but for a club night, trance just won't cut it unless there is odd exception for a more prog trance act.
That's all I have to say about that.
**********
This does not bode well for us trance fans in and around Calgary. The general message here is that the only coming events will be huge rave like events (as Tiesto's first show was) set up for thousands of hopped up kids. Bar shows just don't make money, and I'm not really holding my breath for anything like what we saw this year. Seeing Armin in a small club like Area 51 was amazing - but knowing that the show lost 9000 also guarantees that it won't be happening again anytime soon.
Sorry for my rant, I just felt as if the post I included here had some relevance to the Calgary scene (and more generally to the scene a lot of cities find themselves in). Its just the biggest shame because I for one have found the year of 2002 to be absolutely smashing for trance and also for other forms of EDM. Well shit.
~Azareal
|