Cheesy shit. He was much better when he was doing tracks like this:





This was his last decent single IMO. It was a nice halfway point between his prog stuff and the bland festival tech house he makes now.

Meh I totally lost interest in this guy when he quit producing dark prog house.

___________________
My new oldskool TRANCE mix!

i can't hear what is so 'cheesy' about "oasy" or "only".

___________________
facebook | blog | scrobbler | setarchive | 20160316
"I believe that's referred to as intelligent drum & bass, which obviously means there's a genre of stupid drum & bass out there" (John Peel)

There was a whole 10 page thread on here about "Only". Its a good track and Ryan Elliot's remix is badass too.

quote:

Originally posted by LoveHate nobody.....

this would passed for generic dime a dozen EDM in 1995. I assumed it was actually from that era. I mean i don't really see the point. It sounds like old music without any twist on it. I think nobody is fucking with him in that perhaps nobody is stuck in 1995 ? Those tracks were brutal. The production alone and then the fact that the track is pretty much 1 bar. I think when you can sum a track in just 1 bar, there is something lacking.

___________________
"This is why Superman works alone." GC
old stuff from days gone by (2001-2004)
Mad For Brad's gay little contest

I will always remember his tracks with Wizzy Noise.
"Hush In Space" and "Less Is More" were great prog trancers.
"PHATT" on the other hand was a pearler of a Proggy Psy tune, an absolute classic for me.

___________________
Ronski Speed B2B Tiesto
I DRANK AND MADE A MIX SERIES
Vol One-Vol Two-Vol Three-Vol Four-Vol Five-Vol Six
I ALSO LIVESTREAMED
THE LAST FLIGHT - PROGRESSIVE HOUSE/TRANCE

F*ck Tech-House

I'll just edit that it staggers me, the way one producer can move from deep/psy prog to tech house sound, It would never be a logically fluent move, and if it has been done on purpose then why? Not judging him, just wondering how you get from point "A" to point "K"..

There are moments of semi brilliance from him now and again, but nothing more than that. Nobody is probably fucking with him because they want to sell records. It just got old imo, and it stayed old.

quote:

Originally posted by Guest There was a whole 10 page thread on here about "Only". Its a good track and Ryan Elliot's remix is badass too.

Heh, I remember that thread.
I thought that track was really bad though.

quote:

Originally posted by fredjan Heh, I remember that thread. I thought that track was really bad though.

The sub-bass in Ryan's remix of "Only" rattles my speaker cabinet..hard!

quote:

Originally posted by Alero50 F*ck Tech-House I'll just edit that it staggers me, the way one producer can move from deep/psy prog to tech house sound, It would never be a logically fluent move, and if it has been done on purpose then why? Not judging him, just wondering how you get from point "A" to point "K"..

Don't ask me why, but literally every single ex-prog producer still active has switched to tech house. I think System-J onced said that the whole post 2000 prog kind of is the predecessor of modern tech-house, which I guess is kind of true but they're still so different. I guess tech is just kind of the easy bandwagon to hop on?

___________________
June 2018 mix