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Juan Paulino
Come Away O Human Child

Registered: Mar 2012
Location: Rouge City
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Feb-20-2013 03:42
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rubez
Supreme tranceaddict
Registered: Mar 2007
Location:
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it's like an instinctive thing after a while.
but for begginers trying to initially match the beat, like trying to grasp the concept.
imagine trying to find a book in a book shelf, books filed alphabetically.
say you are looking for a book starting with L.
you take a random guess...
and it's a book starting with B; look ahead. G; getting closer... big leap ahead, S; fuck, too far. dial back, M; nearly, go back still. K; fuck overshot again.
until you home in on that L.
apply that, with the technique of beat matching itself, where you compare the beats with each other.
you sync them up, wait for it to gallop, slow the platter down.
A. did it sync up again? then the pitch was too fast, as you had to slow it down. action = slow the pitch down
B. did it gallop even further when you slowed down the platter? then it was already running too slow. action, speed up the pitch.
rinse and repeat.
not sure if this will make sense 
as george clooney says, you ride that shit. after a while, you will instantly know if your incoming record is too fast or too slow - you'll adjust the pitch to a fairly accurate position, then you will chase the beat by platter manipulation and changing pitch at the same time, until it's matched without platter manipulation, then you know you're at the right pitch.
it's fairly overthinking it though, for what is an insticntive thing once 'it clicks'.
mosts newbies get lost, and don't reset the record after the intro is finished. sometimes trying to match when one record doesn't have a beat 
Last edited by rubez on Feb-20-2013 at 11:51
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Feb-20-2013 11:36
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idoru
You Can Call Me Al

Registered: May 2004
Location: Cascadia
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Feb-20-2013 12:22
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Dawnchaser
Junior tranceaddict
Registered: Nov 2012
Location: Seattle, USA
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It's just sort of instinctive for me, but when trying to illustrate what beats, and matching them, looks like to DJ tutoring pupils, I draw 4 equilateral triangles, tilted on their sides, so the the flat side is facing directly left, and a point is aimed directly at the flat side of the triangle preceding it.
I then tell them that the top and bottom points on the left end of each trinagle represent the high end, the snappy parts of the kick drums, and the right point, the tail, and the central part of the triangle, represents the longer bassier part of the kick.
And then I draw a second row of the same types of triangles, and offset their position on the paper a bit, to show them what a NON matched beat looks like. Then I draw then a whole new pair of triangle sets, where both rows are perfectly matched up. That's a beatmatched kickdrum pattern.
Then I play them the audio representation of that (I made 2 15 minute long pure 4/4 kick drum tracks @ 135 bpm), and tell them to keep that triangle idea in mind, and to make the snappy parts line up.
___________________
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Feb-20-2013 18:58
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Guest
Guest
Registered: Not Yet
Location:
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| quote: | Originally posted by Trance-MB
I wonder what someone would have to imagine for tonal mixing? |
Colors bro.
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Feb-21-2013 04:57
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Rodri Santos
Supreme tranceaddict
Registered: Sep 2009
Location: Milan
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weirdest thing i've heard, you just get into the rythm and things fall into place it's really instinctive, when you are in this particular "trance" you just move the platter and the pitch without knowing why but you know yu are doing it right
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Feb-21-2013 20:21
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