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Fair enough, sorry to preach. If I had the cash to spend, I would probably splurge like you are, but you seem a bit more well off than me, as I'm a young man who just kind of parties, enjoys friendships and relationships, works and produces. I do have a career path but I don't really manage my money that well. I've kind of picked up a little and can look forward to spending several thousand dollars this year to embellish, the first time in a while.
This is what I would get:
An analogue tube compressor (there are many, and I'd need a lot of research and help from people here to figure it out). I would use this the same way I use software emulation of saturation/warmth like PSP vintage warmer.
A Nord Rack 2. Just a wonderful sound, especially for basslines. Wonderful envelope and filter. The first time I got to play around with one of these in the studio I was hooked. I would also consider a virus for leads and such, although just because of the characteristics of the sound they have, not solely because they are analogue. Juno also has some awesome synths. Unless you are making house where groove is paramount and you are playing the groove of a bassline or something on the keyboard, your piano keyboard skills will not really come in handy in trance production. The musical aspect of knowing how to play a keyboard will though.
You will want a great distortion plugin, Saturn is the best on the market at the moment. You will want a variety of VST filters, some that are more transparent and others that color the sound. If you want straight talk, the plugins that come with Logic are more than sufficient in terms of effects and instruments, but there are plenty of wonderful third party ones as well. Mix and match.
Monitors: there are so many to choose from, and since you have the money, this will open you up to some pretty nice options. The pros and cons are generally minute details that shouldn't interfere with making actual music.
Lastly, but definitely not least of all, your room needs to sound good. The last thing you want are psychoacoustics fucking up your work flow so that your music only sounds good in your room on your monitors. A little bit of well applied treatment will go a long way.
Aside from working in various studios, I am totally in-the-box and have been my entire 10 years working on music. That isn't to say I wouldn't love to have a nice tube compressor and a nord rack.
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