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These compilations usually don't have any DJ attached to them, just pack in all the big hits from the cross-over names and are probably sold mainly to teenagers. I suppose a lot of casual listeners just don't really know (or particularly care) about the names of individual producers or DJs, they just want "deep house" or "dubstep", and buying some handily packaged CD comp on the high street is still as convenient for them as hunting down specific podcasts or online mixes or finding a Spotify playlist.
That said, I think the RA article is pretty accurate: I'm just about old enough to remember the era when mix comps were the main way of staying in touch with new tunes, especially for casual/young listeners who didn't or couldn't go to specialist record stores. There was a big emphasis on compilations to get upfront tracks, hence the likes of the White Label Euphoria discs. That kind of importance has completely vanished now, and I can't even remember the last new mix comp I paid for.
It's also a bit creepy to hear RA talk about Northern Exposure and progressive house in glowing terms again. Times, they are a'changing.
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Mixes:
> Maximum Elevation [Progressive House]
> DI.FM 26th Anniversary Guest Mix [Progressive House]
> Live @ Dance:Love:Hub London, 11.10.2025
> Higher Peaks [Progressive House]
> Dance:Love:Hub Afterparty (The Return) 23.11.24
Like these sets? Come see me play live at Kibosh in Manchester: https://www.instagram.com/kibosh.mcr/
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