it's like a joke or virus.

it just spreads.

but why? maybe because people were crying out for something new?

In the Beginning there was House, Acid House, Break Beat, and its many variations.

Drum n Bass and Jungle was born.

The UK adopted a "2-step" Garage sound. Like Break-Beat Dance music, or slowed down Jungle to make it sound slightly more "commercial/mainstream".This is all about 98-01

Mid 2000's Electro House, and then DUB step as born, and even more slowed down "2-step" sound but more "Electro-Bassy" sounds.

Dub-Step blew up and cooled down. The UK was now using the Dubstep sounds but on an EVEN SLOWER beat. Think like the artist "The Weekend". Heavy deep sounds on a slowed down beat.

Guess what. When you slowed down this "Deep-Step" sound,on a more 4/4 mainstream beat, it begins to sound like

House (If you listened in the early 90's)
OR
DEEP HOUSE (If you consider whats out there now, "House")

IMHO Duke Dumont is the pioneer of getting this Sound popular in the UK, and making it more popular in abroad.

So now We have Deep House, which is essenstially the UK Garage sound constantly being slowed down and made "deeper".

2014 is def the Year of Deep House, both in the Mainstream of EDM and the underground.

Agree/Disagree? Too bad its the Truth

where does jack fit into all this?

quote:

Originally posted by Dinoz2013 So now We have Deep House, which is essenstially the UK Garage sound constantly being slowed down and made "deeper".

Yeah, the "deep house" so commercially popular here seems to have basically come from UK bass music. The progression essentially seems to be thus:

UK Garage / 2 Step ('90s) becomes dubstep (early '00s) switches back to 4/4 beats and becomes UK funky (late '00s) continues to get warmer, slower and housier and becomes contemporary "deep house" (2012-present).

If you listen to Joy Orbison - HYPH MNGO you can hear the prototype right there. And even further back, Burial's Untrue album can now safely claim to be the most influential electronic record of the last decade, given every track seems to feature those pitch-shifted manipulated vocals it popularised.

I actually don't mind it - it makes a welcome change to have commercially popular dance music that is warm, funky and restrained. There's also been a parallel rise in any number of slower, warmer and groovier house-y offshoots that are all getting labelled "deep house", all of which has rendered the term an incomprehensible cluster-fuck amalgamation of many different sounds, from what Dixon plays to what Sasha plays to what Seth Troxler plays, all labelled as "deep house".

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> Maximum Elevation [Progressive House]
> DI.FM 26th Anniversary Guest Mix [Progressive House]
> Live @ Dance:Love:Hub London, 11.10.2025
> Higher Peaks [Progressive House]
> Dance:Love:Hub Afterparty (The Return) 23.11.24

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Last edited by SYSTEM-J on Nov-21-2014 at 09:44

they dumbed down deep house and its slowly sounding like EDM (the stuff thats popular around here anyway)

quote:

Originally posted by SYSTEM-J UK Garage / 2 Step ('90s) becomes dubstep (early '00s) switches back to 4/4 beats and becomes UK funky (late '00s) continues to get warmer, slower and housier and becomes contemporary "deep house (2012-present).

Honestly, I think you can skip all these steps and go straight from late MJ Cole to Disclosure. It's the same exact thing, just more 4/4 based for the 2014 market.

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June 2018 mix

quote:

Originally posted by SYSTEM-J I actually don't mind it - it makes a welcome change to have commercially popular dance music that is warm, funky and restrained. There's also been a parallel rise in any number of slower, warmer and groovier house-y offshoots that are all getting labelled "deep house", all of which has rendered the term an incomprehensible cluster-fuck amalgamation of many different sounds, from what Dixon plays to what Sasha plays to what Seth Troxler plays, all labelled as "deep house".

I don't remember the last time I had a bad time going out (because of the music) both back in Seattle nor here in London. It's not always awesome, but even the local DJs at the student bar down the road from me are playing enjoyably warm house with a groove that I can get down to.

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Quarantine Classics Brunello di Montalcino (In Transit) Edition [Progressive Classics] (August 2020)
Quarantine Classics - Puligny-Montrachet Edition [Progressive Classics] (April 2020)
What Is Progressive Anyways? [Progressive House Classics] (November 2019)

I spent my summer holiday in a seaside town known for being a second most popular party destination for the younger crowd. I was expecting a week of Big Room house, but as soon as I got there and left the bus, there was a local hit playing in the first cafe, it is a track between "deep house" and "future house", which was interesting, I thought it was a one off, but the entire week turned out so good that the only time I heard bigroom was this annual event in the town, for a closing set. And also Panjabi MC played some horrible shit at holi fest. other than that it was a surprisingly sweet week of easy notes and really funky beats. Loved it. But as soon as I returned to the capital the bigroom cancer was back.

These are the tracks that were the most prominent, not necessarily very "deep house", but yeah, far, far better than Animals, blasterjax, showtek, hardwell shit I was expecting. A very pleasant change in the mainstream.

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A wise prophet hath once foretold:

quote:

Originally posted by stealthman Vernon Wanderer will rediscover his roots back unto wandering vast endless plains miserably....

honestly we have been heading down this path for quite some time. If you go back and read threads from 2009-2010 everyone knew that the deep house trend was coming. it's just very mainstream at the moment.

Sounds like some of the stuff I listened to about ten years ago, now mainstream. I agree this is preferable to the crap that's been out there the past 4-5 years.

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Maybe music in the recent past has caused millenials and DJs ear problems and need EDM that's soft and atmospheric.


I actually don't mind this sound, preferable to mega-drops and clockwork breakdowns but it's still an abomination to the real stuff.

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Sasha - Live @ Logic, Santa Monica, CA 12-21-97 - Groove 103.1 FM
John Digweed - Live @ Axis, Boston 28-07-1997



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