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One of the keys to successful emulation of any instrument is to listen and analyse what's being played. The major problem here is that when it comes to orchestral parts, it's probably fair to say that most of us do not have the grounding in classical music necessary to apply them
learn the limitations of pitch and tone a particular instrument has, here's a few
Piccolo 12 56 D6 to C9 G6 to F8
Flutes 0 60 C5 to C8 F5 to F7
Oboes 0 68 Bb4 to G#7 F5 to A6
English Horn -7 72 E4 to A6 G4 to F6
Bb Clarinets -2 58 D4 to Ab7 D4 to C7
A Clarinets -3 58 C#4 to G7 C#4 to B6
Bass Clarinet -12 56 Db3 to F6 Db3 to F5
Bassoon 0 70 Bb2 to Eb6 F3 to B5
Contrabassoon -12 72 Bb1 to Eb4 n/a
French Horns -7 64 D3 to F6 Bb3 to C6
Trumpets -2 70 E4 to E7 G4 to D7
Trombones 0 80 E3 to Bb5 G3 to G5
Tuba 0 92 A2 to Bb4 A2 to Bb4
Timpani 0 50 n/a n/a
Bass Drum 0 48 n/a n/a
Cymbal 0 40 n/a n/a
Triangle 0 40 n/a n/a
Celesta 0 38 C5 to C9 C5 to C9
Piano 0 28 A2 to C9 A2 to C9
Harp 0 18 Cb1 to G#8 Cb1 to G#8
Violins 0 15 G4 to B7 G4 to B7
Violas 0 88 C4 to C#7 C4 to C#7
Cellos 0 105 C3 to C6 C3 to C6
Double Bass -12 120 E3 to G5 E3 to G5
don't use global sounds like 'strings'. Split your voicings nice into violin, viola, cello and bass (the same with brass&woodwinds)
also emulate the instruments positions in an orchestra by their positions in the stereo field - violins to the left, basses and cellos to the right etc
now you need the samples
Miroslav Vitous Symphonic Orchestra
http://www.ilio.com/miraslov/index.html
also try Peter Siedlaczek's Advanced Orchestra
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