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first of all sorting out everything is really really important...makes you work 10 times as fast as if you just create synth after synth in a big bunch...
I usually have one mixer for drums and the arrangement around that and one mixer for synth, bassline, pads and so on
another thing is naming the devices, ALWAYS name the device so you know what is what, and also name the effects on the devices so you know to wich device they belong 
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Another great tip on how to get a better and wider stereosound:
On almost every synth (except subtractor, but we'll get to that later) two cables is connected to each chanel from the synth...what you do is that you unconnect one of the cables and put it on the chanel next to the original chanel so you have one synth connected to 2 channels...
after that you change the balance on both chanels so one of them is balanced to the right and one to the left and then you just need to adjust the volume...
when you do this with subtractors you have two choices...one is to create dual subs wich is programmed exactly the same and another is to put an effect on the sub....from the effect you can then draw one cable to each channel....
if anyone didn't really understand this just tell me and I'll suply some screenies on this 
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one thing that is really important is to put reverb on those synths...when you do this don't use the effectutility on the mixerchannel...put the reverb directly on the synth instead, and try using ,ultiple verbs too...gives some cool effects on some sounds 
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| quote: | Originally posted by davedresden
i suggest getting the gabriel & dresden prog-a-minute. in 3 easy steps you too could change the face of dance music.
batteries not included.
- dave |
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