I usually cut everything above 250 or 200 Hz on my subbass.

The rest mostly depends on what key your track is made in.

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I don't fully understand your question, but hopefully this might help:

Kick: It's rare I've seen a kick centred at less than 49 Hz, and an upper limit of perhaps 65 Hz when it comes to dance music. Shape your kick (i.e. by boosting a frequency to accent it or cutting one to make another stand out more) depending on the root, or any other common note used in your track. For example, you might take a kick sample centered at close to 49 Hz and perhaps center it exactly to this frequency if needed by boosting it a little here if your bass line, or any other melodic part in your track plays a G. You can find more such frequency-note relationships here: http://www.phy.mtu.edu/~suits/notefreqs.html

Bass: In dance music, this could range from 33 Hz to 65 Hz, perhaps even a little higher in certain tracks. Just be careful not to bunch up the same frequency with the kick too much.

Subbass: Personally I define this as the frequencies between 16 Hz and 33 Hz, but only becuase that makes a perfect octave. Since the human ear can only hear down to about 20 Hz, and the largest subwoofers will have trouble dropping down even that low, perhaps consider 25 Hz as the lowest point. At least you usually never want to boost anything below this.

Mid bass and high bass are just arbitrary terms used to distinguish from any similar term like 'low bass'. Personally, I define low bass as being below perhaps 44 Hz, mid bass to about 87 Hz, and high bass to perhaps 131 Hz.

None of these are technically correct though. It all depends on the particular track and how you look at it.

Thanks for the feedback.

This is kinda what I was expecting. I've basically got a track with four different bass's playing, though I want to give them all room in the mix.

Think I'll have another play about tonight and post a sample.

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quote:

Originally posted by ManTrance Thanks for the feedback. This is kinda what I was expecting. I've basically got a track with four different bass's playing, though I want to give them all room in the mix. Think I'll have another play about tonight and post a sample.

Alright, well the key here is a spectrum analyser. Often tutorials will tell you to just listen and do what sounds right and trust your ears etc., but this is of course stupid since a beginner wouldn't know what to listen for.

So, you need to get yourself a nice spectrum analyser such as the one provided in Sound Forge, and analyse the frequency make-up of each of the bass sounds and decide on the most suitable approach to make room for each.

You can post a sample and I can help you with this, but it may take me a few days to respond since my computer is down and I have to use an annoying work-around method to use it.

quote:

Originally posted by Atlantis_AR Since the human ear can only hear down to about 20 Hz, and the largest subwoofers will have trouble dropping down even that low, perhaps consider 25 Hz as the lowest point. At least you usually never want to boost anything below this.

Many subwoofers do drop below 20Hz. For example the axiom EP600 (13 hz, 16 anechoic) and adire parthenon which can hit 6Hz with ease (ok ok- parthenon is not a regular sub, but still). I would give more examples but svs and hsu sites are down, I'm pretty sure they both have models that go below 15hz.

Even though we can't hear the musicality of the bass anymore below 20hz, you can still feel it for sure.

I would still cut the bass frequencies off around 20hz though, just to make the mix sound alittle bit cleaner. Frequencies below that are great for explosions and movie applications, or live orchestra, but I wouldn't say that have any purpose being in trance music.

quote:

Originally posted by Atlantis_AR I don't fully understand your question, but hopefully this might help: Kick: It's rare I've seen a kick centred at less than 49 Hz, and an upper limit of perhaps 65 Hz when it comes to dance music. Shape your kick (i.e. by boosting a frequency to accent it or cutting one to make another stand out more) depending on the root, or any other common note used in your track. For example, you might take a kick sample centered at close to 49 Hz and perhaps center it exactly to this frequency if needed by boosting it a little here if your bass line, or any other melodic part in your track plays a G. You can find more such frequency-note relationships here: http://www.phy.mtu.edu/~suits/notefreqs.html Bass: In dance music, this could range from 33 Hz to 65 Hz, perhaps even a little higher in certain tracks. Just be careful not to bunch up the same frequency with the kick too much. Subbass: Personally I define this as the frequencies between 16 Hz and 33 Hz, but only becuase that makes a perfect octave. Since the human ear can only hear down to about 20 Hz, and the largest subwoofers will have trouble dropping down even that low, perhaps consider 25 Hz as the lowest point. At least you usually never want to boost anything below this. Mid bass and high bass are just arbitrary terms used to distinguish from any similar term like 'low bass'. Personally, I define low bass as being below perhaps 44 Hz, mid bass to about 87 Hz, and high bass to perhaps 131 Hz. None of these are technically correct though. It all depends on the particular track and how you look at it.

your freqs are much, much too low. a deep bass is basically anything under ~90Hz, the mids of your bass will usually sit around 110-150, and higher parts will center around 250. Harmonic elements of your bass might cast their rays up to 1000, 1500Hz, and much higher if you have overtone rich or noisy basses.

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i have heared that you must cut everything round 50hz.. becouse you cant hear them well and it's only clipping your tune.

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quote:

Originally posted by Atlantis_AR I don't fully understand your question, but hopefully this might help: Kick: It's rare I've seen a kick centred at less than 49 Hz, and an upper limit of perhaps 65 Hz when it comes to dance music. Shape your kick (i.e. by boosting a frequency to accent it or cutting one to make another stand out more) depending on the root, or any other common note used in your track. For example, you might take a kick sample centered at close to 49 Hz and perhaps center it exactly to this frequency if needed by boosting it a little here if your bass line, or any other melodic part in your track plays a G. You can find more such frequency-note relationships here: http://www.phy.mtu.edu/~suits/notefreqs.html Bass: In dance music, this could range from 33 Hz to 65 Hz, perhaps even a little higher in certain tracks. Just be careful not to bunch up the same frequency with the kick too much. Subbass: Personally I define this as the frequencies between 16 Hz and 33 Hz, but only becuase that makes a perfect octave. Since the human ear can only hear down to about 20 Hz, and the largest subwoofers will have trouble dropping down even that low, perhaps consider 25 Hz as the lowest point. At least you usually never want to boost anything below this. Mid bass and high bass are just arbitrary terms used to distinguish from any similar term like 'low bass'. Personally, I define low bass as being below perhaps 44 Hz, mid bass to about 87 Hz, and high bass to perhaps 131 Hz. None of these are technically correct though. It all depends on the particular track and how you look at it.

huh? are you serious? i read in some other topic you are specialised in mastering, well it must be some other music style then, because your freqs are all wrong, they are way too low!!

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quote:

huh? are you serious? i read in some other topic you are specialised in mastering, well it must be some other music style then, because your freqs are all wrong, they are way too low!!

I thought they seemed very low.

Im gunna download a spectral analyser and go from there. Might post some samples 2nite if Im not successful.

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quote:

Originally posted by hardikaveri i have heared that you must cut everything round 50hz.. becouse you cant hear them well and it's only clipping your tune.

I would definately not cut 50 and below. You would be cutting out alot of the low end. If you have a decent sub, play around with cutting the frequencies.. you'll definately notice that your kick will loose it's power and the bassline will not sound as full.

I normaly cut from 35-40 and below anything below that you can really hear and for the most part it just rattles speakers. Believe it or not the bass you hear/feel for the most part is from 120-60. What is that guy talking about kicks at 60hz? That crazy most kicks 808/909 have all the presence from 130-80. I normaly LPF everything except for the kick and bass from 150-200hz they are really the only things that need to go that low...

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