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programming a 303 is the easiest thing in the world! its only got 1 oscillator, 1 filter and thats practically it!
you can set the oscillator waveform to square or saw. square produces a more honking kind of acid. saw is slightly grittier and less bassy. distortion and drive up to around 2/3 for a harsher, raver kind of acid
the key to a good acid line is the arrangement of the stabs and the accents combined with high resonance and low cutoff. the resonance produces that laser like high pitched screetching quality - you want alot of that. some 303 type synths like audiorealism bassline have a basic envelope which determines how long it takes for the acid stab to literally 'decay' in volume as long as the stab is held. longer decay makes the stab longer and blurs it partially with the next stab.
you can make accents by just raising the note velocity of a particular note. do so at key beats to add abit of punch ('accent') to your 303 line. then just automate teh cutoff so that it rises gradually, squealing till it becomes unbearable. paul maddox does that in pretty much half his tracks so id check out some of his acid lines for inspiration.
lastly you can make 303 type acid lines in practically any synth that has a saw/square wave oscillator. ie. pretty much all of them. but they all have slightly characteristic sounds, some more suited to certain types of acid than others. i like using vanguard for acid cuz the distortion and the oscillators are very gritty and the resonance can go unbearably high - very good for making hollow, harsh hardcore type acid drills. muon tau is much bassier, smoother and less harsh than vanguard and is better for acid basses. audiorealism bassline is widely considered the king of 303 clones and its got a creamy kind of quality that sits well in alot of styles of music.
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