is Affordable IF it doesn't compromise the first 2.
I am considering the Ortofon Concorde Series, The Stanton discmaster/groovemaster series, and possibly some lower end Shures
Apr-17-2002 20:59
mute79
..:culture vulture:..
Registered: Feb 2001
Location: in transit
well, for home use, i'm really satisfied with my stanton 680's...
Apr-17-2002 21:03
Dmatrox
something goes here?
Registered: Jul 2001
Location: Calgary
i use stanton 500Al's. Ive been using them for almost a year. Ive used them since august 2001. good quality and reliable
Apr-18-2002 00:27
djsblaha
Junior tranceaddict
Registered: Jul 2001
Location: ohio
I used to use the Stanton 500al2's, but I found the Shure m35s' a million times better. They're the greenish yellowish ones. I actually prefer their sound reproduction to the ortofon needles that cost 2-3 times as much.
Apr-18-2002 01:23
patticus
watch your bassbins
Registered: Apr 2001
Location: vancouver, bc
i think i have the stanton basic 500s.. ?
the thing is if you get those ortofon shaped ones, which are more like a pen tip ??? as opposed to the basic stantons, which look like a little box with a needle coming out..
they're soo much easier to fuck up. my first night in a club i dropped the ortofons on the spinning platter, and it was ABSOLUTELY fvcked. i freaked out cuz i used to drop my stantons all the time on the platter at home, and the construction design is such that the needle doesnt actually hit the platter.. so it'll be fine (and im really clumsy)
so basically ya, if you're clumsy like me and drop your needle on the side of the platter a lot.. stick with the box-shaped carts
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Apr-18-2002 02:24
Kurve
Sentient Audio Collective
Registered: Sep 2000
Location: Las Vegas but from Germany
quote:
Originally posted by patticus
i think i have the stanton basic 500s.. ?
the thing is if you get those ortofon shaped ones, which are more like a pen tip ??? as opposed to the basic stantons, which look like a little box with a needle coming out..
they're soo much easier to fuck up. my first night in a club i dropped the ortofons on the spinning platter, and it was ABSOLUTELY fvcked. i freaked out cuz i used to drop my stantons all the time on the platter at home, and the construction design is such that the needle doesnt actually hit the platter.. so it'll be fine (and im really clumsy)
so basically ya, if you're clumsy like me and drop your needle on the side of the platter a lot.. stick with the box-shaped carts
i have dropped my orts 100x times ..never have they broke on me i think there reliable ....hmm anyhow i read a magazine they had about carts ...they were flaming orts cuz they cause trouble to turntables fucks them up which is true .... they stated some needle that had amazing quality sound but the output was very low ... so i guess go shop around see what is best for you
Apr-18-2002 02:29
Lost
Supreme tranceaddict
Registered: Jul 2001
Location: Los Angeles/San Diego
pardon me if i'm asking a newbie question but how do the ortofons jack up your turntables? i'm real curious seeing as how i just bought a pair. please advise.
lost
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Apr-18-2002 03:22
Kurve
Sentient Audio Collective
Registered: Sep 2000
Location: Las Vegas but from Germany
quote:
Originally posted by Lost
pardon me if i'm asking a newbie question but how do the ortofons jack up your turntables? i'm real curious seeing as how i just bought a pair. please advise.
lost
its not a newbiew question most people dont know about this ... but the concorde ortifon needles have a different aloe base on the connectors then the connectors of the tone arm of technics turntables ...so alot of time u get massive corrosion on those connectors that fuck up your sound signal this can also be perminant if it get bad enough ..... ever needle has corrosion but the ortofons have a really high corrosion rate on the connectors cuz of the different aloe base...so some people they thing there table is fucked cuz of the levels of the sound or the channels not working its all cuz of those needles.... but not all ortofons will fuck ur tables up some do some work fine .... mine how ever are fucked ...i have to clean them every time i spin and theres pretty much nothing i can do about it .
Apr-18-2002 07:02
skywarp
goa trooper
Registered: Sep 2000
Location: Edmonton, AB
Corrosion !?
Do you live in a tropical jungle ? You'd need crazy ammounts of humidity just to start causing corrosion on your carts.
The problem with the Concordes is that the contact pins (the four little pins that go into the tonearm) are slightly off towards the center so they don't touch the contacts inside the tonearm dead-on. This usually causes some dirt and gunk buildup but that can be fixed with a Q-tip dipped in isopropyl alcohol (rubbing alcohol) and cleaning your contacts.
If you want to avoid the problems with Concorde mounted carts but still want Ortofons (which I would recommend over anything else), get the OM headshell mount version. Same performance, cheaper, and trouble-free (since you're using original Technics headshell). You can grab the cheapest OM Pro Black and put a yellow Nightclub tip on them making them look and perform like regular Nightclubs.
I use Ortofon Concorde pro since november and I still don't have any problem with them. They sound really great and now it's very wierd when I use non concorde-like needles. And I also drop the needle on the platter (when I'm high ;-p ) and they're still ok.
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Apr-18-2002 07:37
patticus
watch your bassbins
Registered: Apr 2001
Location: vancouver, bc
ok my bad they werent ortofons i was using
but shaped like them, you know what i mean
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Apr-18-2002 07:46
skywarp
goa trooper
Registered: Sep 2000
Location: Edmonton, AB
For all you clumsy people who seem to be raping your needles ... here's a little hint.
You know that little cueing lever ... the one that raises and lowers the tonearm ... right besides the anti-skate knob ...
Well, you can adjust it to hold the tonearm so that when you drop the needle it catches it before it hits the platter rim.
Put a record on. Lift the cue lever to the topmost position so it raises the tonearm well off the record. move the needle so it is just a few millimeters away from the edge of the record. Now slowly lower the cueing lever until the needle is about the same height as the record. Lower the cueing lever a little bit more so that the base where the needle goes into the tonearm is at the same level as the record itself. Now even if you drop the needle or it happens to skip outwards, it won't hit the platter ...