|
I grew up having one of my fathers best friend's older son as a bit of a kid I looked up to. I used to go out to a roller rink owned by my father's friend, and about 2 times or so a year they would have these events where Jay spun all these awesome late 70's through early 90's electro, hip hop, and dance records. Stuff along the lines of Afrika Bambaata, Newcleuz, Dr. Dre and the World Class Wrecking Cru, Egyptian Lover, Debbie Deb, Freeestyle, Lisa Lisa, and the L.A. Dream Team.
This were big, nasty, brooding records and I loved seeing kids break dance to them. I would wind up going to the rink all the time just to hear that handful of good Electro they'd play in between all the pop music on a loud system. This was all probably between the ages of 8 and 11.
In the early 90's and at the age where I was just heading into puberty it was very awkward for me to begin my fascination with club music. I started to listen to stuff from CeCe Peniston, Robin S. "Show me Love" was one of my favorite tunes of all time - but it was a secret passion because very if any of my friends shared my enjoyment of it.
The final phase began for me in 1997, "Homework" was released and I was sold - "Da Funk" was just such a mega tune for me, to this day it's still the ring tone on my phone. I started saving my pennies immediately after I found myself listening to "Homework", "The Saint Soundtrack", and old big beat and electro records. At this point I don't think I'd ever even heard a house or trance "set" - but by the time I finally got a setup I had been smitten by the '99 era sound of the EM world tour, and for the next three years proceeded to play a combination of really bad and really good prog/trance.
Phew - that was a bit of a narrative there. Sorry for the long post - had been a while since I thought of a lot of that. 
___________________
last minute disco dot net
|