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Break trance with plucked chords, long moogish bass-line, a short-percussive mid-line bass, a prominent mid-pitch hi-hat with the emphasis in the mix, still on the vocals. Personally, I'd let it build, over time, starting off with a very quasi deep-house pattern and feel, then letting the other instruments crescendo around the singer's vocals. I would make interplay between the bass-lines and kick drums a focal-point of the music bed. I'd also do without any break.
Personally, I think trying to match up to the mix you posted may be a little wrong-headed. Not that I think your remark puts yourself in competition with him but I do think it sells other possible interpretations short while holding emulation as the test for quality.
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Now with extra singles!
my old stuff, not quite up to snuff - but I still dig it - UPDATED 9/23/2012
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