which tracks have a distinctive part that stands out?

Last edited by Mattsanity. on Jun-14-2011 at 20:43

bassline @ 4:44



beat/bass/lead? @ 0:55



buildup and bass @ 4:10:



buildup and lead @ 3:10 - shits all over dutch/chuckie wannabees:



lead @ 4:21 (still one of my favorite lead sounds):



buildup and the drop starting @ 3:30:



the drop and the lead hoover @ 3:55:



the beat & lead sound @ 3:10:



and the best for last. it's a mashup,, but one of my favorites. listen to the buildup that starts @ 2:20 and then the drop @ 3:20. Ball cracking!



That's from the top of my head. Tell which you like and if you want more.

quote:

Originally posted by vikernes buildup and lead @ 3:10 - shits all over dutch/chuckie wannabees:

LOL get out of here quickly, really , 1993:




Guess

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quote:

Originally posted by vikernes

the 1st and 3rd joints' segments are ill as fuck.



4:07 to 5:07 would sound mindblowing in a club

Tiesto feat. Dizzee Rascal - Bad Behaviour

quote:

Originally posted by Trance-MB

there is none in the first joint

This track is quite original, random pitching and filtering. The vocal chops are like someone vomiting, weird but lovely.

I don't really do dubstep, but this shit sounds fucking insane for some reason.

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segment beginning at 2:47:



for enhanced "crazy" effect, don't listen to any of the song before 2:47. just skip forward directly to that part and hit play.

Craziest segments is criticism and reportage about music. It began in the eighteenth century as comment on what is now thought of as 'classical music'. This aspect of music journalism, today often referred to as music criticism (although that risks confusion with the academic discipline), comprises the study, discussion, evaluation, and interpretation of music and its performance. Modern art music journalism is often informed by music theory consideration of the many diverse elements of a musical piece or performance, including (as regards a musical composition) its form and style, and as regards performance, standards of technique and expression. It was expressed, for example, in journals such as Neue Zeitschrift für Musik founded by Robert Schumann, and is continued today in the columns of serious newspapers and journals such as The Musical Times.

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