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| quote: | Originally posted by Looney4Clooney
Anyways, fuck mac. I will be switching to PC once they unveil their new turds. |
Got money troubles, have we?
I don't buy it - I reckon we'll see a new revision of the mac pros early next year.
The problem for apple is that they cost a lot to make, they sell a fraction of the unit numbers compared to their other lines and mac pros have a longer replacement life than than other products.
Most studios I know get at least 4-5 years out of a mac pro, whereas most people replace their laptops every 3-4 years.
The other issue is that the production environment (and I'm talking about design/video/music/printing/media/etc) has drastically changed, in the same way pro audio has - you now have people knocking out professional standard works on laptops and imacs.
For instance, one of my close buddies is head designer at Sketchers and they just use the large imacs, where in previous years they had to use mac pros. A big part of that is the increased processing power that is available in "consumer" grade products such as the imacs and macbooks.
10 years ago, having a studio capable of producing a professional sounding track all from your laptop was not viable, and now I know at least a dozen producers who just have a MBP, a good audio interface and a pair of headphones (albeit getting docked with studio monitors and outboard when the get back home).
Now having said this, mac pro's are the defacto standard for protools, and every pro studio runs protools. Now that PTHD has gone native, people wanting to set up a pro studio for less, can do so if they have enough host CPU processing power, which the new Mac Pros will evidently deliver.
For applications where you need huge multiple drives (samples for composing, HD video compositing, etc), the Mac Pro has it's place bought and paid for.
It's not just wank factor that production houses have mac pros - it's because of stability. Sure our macs have crashed from time to time but it's a 30 second restart, to get it back on track and time is big money in a pro studio. I once watched one of the top score engineers walk out of a studio and take the rental somewhere else, due to stability issues taking his support engineers more than an hour to resolve. That two week rental cost the studio over $35,000 in lost business.
It's also the fact you can plug a drive in and not even think twice about getting a virus, or further, have to worry about keeping virus database definitions up to date, or that antivirus program sucking some of your available CPU power.
Bottom line, Mac Pros have their place until Apple can achieve the same goal with other products, which even though they are getting close, it's not quite there, especially in terms of storage and performance.
The new Mac Pros, will however be blisteringly fast - the new sandy bridges are benching ridiculous figures, and thunderbolt is like adding a turbo to the whole data bus architecture.
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