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DJ PROFILE : 808 STATE (UK)
THE KNOWLEDGE
Who?
808 State, acid house pioneers and possibly the finest live dance act to come out of Manchester. No mean feat that, considering the competition. Initially, it was the production expertise of Graham Massey, Eastern Bloc Records owner Martin Price and Gerald Simpson that formed the backbone of The State. Simpson was complicit on the first collection of raw acidity from 808, entitled ‘Newbuild’, but left part way through the second long player ‘Quadrastate’ to pursue his own interests, (namely his solo act, A Guy Called Gerald). The DJ skills of Andrew Barker and Darren Partington were consequently recruited
Why 808?
Clearly that was because of the Roland TR808 drum machine, the piece of kit that became as essential as the 303 and the 909 in producing acid house music. The seminal 808 moment came in the shape of the undisputedly glorious genre-defining ‘Pacific State’ with its smooth pads and tear-jerking horns. Other classy moments include ‘Cubik’ from 1990 and the rave-tastic ‘In yer Face’ from 1991. The State also produced some quality collaborations with Moss Side rapper MC Tunes, notably ‘The Only Rhyme That Bites’. But that was always a forte of Massey and co
What was?
Collaborations. The State have a remix CV that pisses from a great height on anything Oakenfold or Morales have put together. Get this lot: Art of Noise, Arthur Baker, Afrika Bambaata, Bjork, David Bowie, Bomb The Bass, Quincy Jones, Tom Jones, REM, Primal Scream, Robert Owens, A Certain Ratio, K Klass, Mansun, Texas, Gong…and that doesn’t even scratch the surface
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