I used to really love Eminem. Now he's just fucking annoying. His shit on that Rihanna single about emotional abuse makes me want to shoot him. Fucking bunch of angst.

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Quarantine Classics Brunello di Montalcino (In Transit) Edition [Progressive Classics] (August 2020)
Quarantine Classics - Puligny-Montrachet Edition [Progressive Classics] (April 2020)
What Is Progressive Anyways? [Progressive House Classics] (November 2019)

quote:

Originally posted by Viber I'm sorry but an artist like Moby can say anything he wants about an "artist" like Eminem.

to be honest they both suck and belong in the 90's.

quote:

Originally posted by IL Ducce yes. because this is so the hood. http://en.wikipedia.org/wiki/Belleville,_Michigan eminem sucks...but you are a dumbass.

So what exactly are you trying to say, wikifag? Do you know what a suburb is? Eminem didn't grow up in Detroit proper either.

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It looks like you ain't got no pants on there buddy!

quote:

Originally posted by DancingMonkey So what exactly are you trying to say, wikifag? Do you know what a suburb is? Eminem didn't grow up in Detroit proper either.

i'm not throwing out references about the belleville trio being hardcore og gangsters.

you can start backpeddling now if you would like...

quote:

Originally posted by IL Duce i'm not throwing out references about the belleville trio being hardcore og gangsters. you can start backpeddling now if you would like...

My statement was more meant to illustrate my questioning of Eminem's "OG" status than say anything about anyone else. Case in point: I'm probably more "og" than Eminem as well. Do I think i'm an "og" "gangster"...no. Maybe i'm using the wrong wording, but when I say "og" I mean how hard someone's life has been and yes, also how ghetto the area they grew up in is.

Next post i'll write it in crayon for ya.

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It looks like you ain't got no pants on there buddy!

instead of using a crayon, try using stuff you don't make up.

deadmau5 was the only one moving to the music besides that mexican nugget. or at least it didn't look like anyone in the audience was all that impressed with the music or enjoyed it.

now compare that to when the timo mas remix of dooms night was played right before a commercial break at an mtv awards show years ago, and a chunk of the audience (mostly ladies) formed an impromptu dance floor. i cant remember if it was vmas or mtv movie awards. i wish it was on youtube. anyone remember what im talking about?

quote:

Originally posted by corjay9 Thats a pretty fucking ignorant statement there chief.

Why?
I love Rap\Hip-Hop but i still genuinely think that Eminem was nothing more than a glorified rapper (maybe even a gimmick) while Moby was and still is a respected producer who made music on a much higher level by himself.

quote:

Originally posted by ziptnf He has mastered his flow, and he has always had great pen-work. That doesn't mean I have to enjoy his songs. I respect him as an artist, I just didn't care for his latest two albums. I think his single on Recovery is very cliche and uninteresting.

25 to life though...

Amazing.

Up there with infinite, imo.

I like his angst tone as well. Sit out from all the other rap shit.

I like eminem because of that. You can tell him apart from 99.9% of other rappers.

I see what you're saying though, least he aint as bad as little wayne eh?

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Nothing lasts, nothing lasts, everything is changing into something else. Nothing is wrong, nothing is wrong, everything is on track...

You know, William Blake said... uh, nothing is lost. Nothing is lost and I... I really believe that, we only move on...

quote:

Originally posted by EddieZilker To clarify, I think American club culture is but a symptom of a larger problem and one which is only magnified by cross-over artists, be it from dance to pop or vice-versa. The prevailing argument seems to be that, because Guetta, Tiesto, Deadmau5, et al, have been recognized as legitimate artists by mainstream industry that it's a good thing for the music and culture, on the whole. I'm maintaining that because decisions within the main-stream industry are dictated more by market forces than by artistic integrity, industry has relatively little interest in striving for or maintaining a standard of quality which is not as marketable as a long established acceptable level of mediocrity and therefore, the industry will incentivize quantity over quality and discourage artists from investing more time, effort, and resources than is necessary to achieve mediocre results.

Yes, I know all that. I've already replied to that point, by stating that it's not particularly relevant. Everyone already knows it, and the real potential positive of it is a filtering-through of popularity to the underground which will enable disparate disenchanted music fans to finally participate in their scene. To which you responded by going all thousand-yard-stare on me and musing to the effect of "Is the underground scene really any different to the meat markets?"

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Mixes:
> Maximum Elevation [Progressive House]
> DI.FM 26th Anniversary Guest Mix [Progressive House]
> Live @ Dance:Love:Hub London, 11.10.2025
> Higher Peaks [Progressive House]
> Dance:Love:Hub Afterparty (The Return) 23.11.24

Like these sets? Come see me play live at Kibosh in Manchester: https://www.instagram.com/kibosh.mcr/

quote:

Originally posted by SYSTEM-J Yes, I know all that. I've already replied to that point, by stating that it's not particularly relevant. Everyone already knows it, and the real potential positive of it is a filtering-through of popularity to the underground which will enable disparate disenchanted music fans to finally participate in their scene. To which you responded by going all thousand-yard-stare on me and musing to the effect of "Is the underground scene really any different to the meat markets?"

"How many Vietnam vets does it take to change a light bulb?"

"You don't know cause you weren't there, man!"



Perhaps it may be said, because of electronic music's main-stream migration, one could safely conclude it is growing. However, everything I have seen resultant from it, to this point, does not indicate it will improve anything. What's more is that it is only a segment, consisting of artists who's legitimate talent is regularly called into question, which has migrated over. Assertion that my arguments aren't relevant is conjecture verses the facts which support my arguments. Proposals that an alienated fan base will find more inclusion and that such migration events shine a light onto the entire genre are mitigated by a requirement for more general marketing practices which will further exclude the niche population and the fact that the light is only really shining on music which has already been accepted by the mainstream cross-section.

Why you're belaboring the existential "meat market" tangent - raised, by me, quite extemporaneously I should add - seems motivated by a strategy opposing an actual interrogation. I'm surmising you're like a boxer who, seeing a small cut above the eye which hasn't wept enough to bother the opponent, now focuses relentlessly on it until the opponent can no longer see. On the other hand, supposing you are actually interrogating it, is one to conclude that it might actually be a little more relevant to the conversation than I'm giving it credit for?

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Now with extra singles!
my old stuff, not quite up to snuff - but I still dig it - UPDATED 9/23/2012

Last edited by EddieZilker on Sep-15-2010 at 21:24