quote: | Originally posted by Ishkur
Remember when trance sets were about taking you on a journey? Tranceport is no journey. There's no tension or release in any of it. It's just a bunch of top10 hits. The amazing thing, however, is that this formula worked, and every Ibiza Trance Nation Tunnel Mission Force Club Anthems vol. 847 tried to rape the same formula (with varying degrees of success).
More people were coming into the scene than going out of it, and this hyper-inflated the status of the DJs and the value of the music to ridiculous proportions. Like the dot-com bubble, any trend this flimsy was bound to come crashing down like a house of cards, as soon as it reached its saturation point.
That critical mass came in 2001. Much of the genre's elite fled, going instead to house or progressive or other, low-key scenes. But the rest? Now this is interesting, and this explains exactly what the dutch trance scene is now all about : the rest decided to go for bigger, fuller, more euphoric anthems. Like a drug, the emotional effect of last month's hit anthem keeps wearing off, so each track they release has to up the dosage to maintain the high and to keep the few remaining stragglers clinging to it.
People's tolerance for anthem trance is now extraordinarily high, which is why the big, overblown "wall-of-sound" anthems have to keep getting bigger and more euphoric to maintain their interest. As you can guess, this simply cannot last, and the anthem trance producers are simply working on borrowed time. |
Harsh but well-put.
I usually don't do this, but I'll repeat what I posted in another thread:
This very topic's been on my mind a lot lately. In fact, I find it really hard to start a track these days, because the sounds I'm surrounded by (and have at my immediate disposal right now) are getting old fast.
As for sounds becoming more complex; electronic music in the late '90s used to be VERY detailed and textured; lots of bell-like sounds, organ-y sounds, string pads way in the back, serious filter action, weird little fake horns, synthy spanish guitars, pianos, fuzzy stuff, etc. Very colorful chords, sophisticated lines.
IMO the variety disappeared when everyone went for the jugular and competed for the biggeset and fattest this and that.
Big supersaws (note: always SAWS, not squares, not combination waveforms, but saws), big galloping basses, chirpy 909 hihats, simple Barney-esque melodies or chopped-up Beethoven or Vivaldi. A lot of what's been called trance the past couple of years seems more like Eurodance gone all heavy-handed and serious. And everyone seemed to do it the same way.
It was great for quite a while, but then there was more. And then there was more. And then there was more!! Same with other genres too, unfortunately.
So for the time being, I'm thinking about the aesthetic of trance at its roots; things like THIS, and THIS, and THIS, and even though it's not trance, THIS.
I'd hate to shop yet another typical melodic supersaw thumper. Bonzai might eat it up in a second if it's good enough, but I'm just helping to run the genre into the ground.
Original Thread Click Here
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