 |
|
|
|
 |
MarathonMan
cockney twat!
Registered: Nov 2003
Location: The record store!
|
|
|
| quote: | Originally posted by RebeL9
I totally agree.
all those kiddies just heard Whiteroom and Halcyon and were like "omfgzorz this Moor guy just roxorz arminz show!!!1"
then they never heard any of his old stuff which was much cooler, groundbreaking and funkier. And the stuff he made with Tilt as poor. You can really tell that Parks & Wilson miss Quivver.
And some of the kids in this thread are hilirous. The argument they use such as "if you dont like it, do it better yourself" is the most childish shit Ive read.
Do you ever see a movie director which get bad reviews telling the movie journalists to make a better movie themselves?
NO so just shut the fuck up with this 5 year old comments.
its amazing to see the ppl here who cant simply accept that there are ppl out there who finds their choice of music as shit. |
The MarathonMan endorses this statement!
Also the fact that he rates Oliver Lieb as well makes his opinion count more IMO!
___________________
MarathonMan's most wanted: Spooky - Gargantuan
|
|
Jul-25-2005 20:18
|
|
|
 |
 |
aloep
REDIICULASE!!

Registered: Nov 2000
Location: Dumfries & Galloway, Scotland, UK
|
|
|
| quote: | Originally posted by DJ Intrigue
My 2 cents:
If we are strictly speaking about the current Andy Moor sound and productions, then I am quite disappointed. Why? Because he is capable of making much better and more qualified music. I'd venture a guess and say that many of the people in this thread who praise Andy to the highest extent, giving him 11/10 reviews and such, have never heard his older works. With tracks like Dark Amendments, Passenger, Athena, and Violent City I couldn't believe what I was hearing when I took a listen to Halcyon the other day. His older style just seems to have more quality as far as track substance, groove, and melodies are concerned. Halcyon and his newer stuff just seems to fluffy and overdone without any real substance to give the track a push forward. Not to mention the melodies sound like something a 12-year old could make on a Fisher Price or Casio keyboard/xylophone. I guess all the hardcore trancers and "McProg" listeners love this type of sound, but I find it completely cheesy, Nintendo sounding, and definitely forgettable. It's a damn shame too because Andy has the potential to create great music, but chooses instead to produce the sub-standard twinkly music that is all the rage right now. So, cheers to Andy Moor for making decent progressive house like the dirty and driving Dark Amendments and the grooving Passenger, but jeers to the newer stuff and his collaborations with Adamn White and Above & Beyond. |
Fantastic post, I completely agree with it on all counts. While I haven't heard much of Andy Moor's older stuff, his remix of Medway - Release for example, is a world away from all the twinkly garbage he's making today.
I'd say the same goes for Markus Schulz to a lesser extent. He is capable of making really good stuff, just listen to the Edge Factor productions from the mid 90's or his remix of Billy Paul Williams - So In Love then listen to any of his remixes from mid 2004 onwards.
|
|
Jul-25-2005 20:26
|
|
|
 |
 |
klappa
Supreme tranceaddict

Registered: Sep 2004
Location: North Korea
|
|
|
Jul-25-2005 20:51
|
|
|
 |
All times are GMT. The time now is 17:53.
Forum Rules:
You may not post new threads
You may not post replies
You may not edit your posts
|
HTML code is ON
vB code is ON
[IMG] code is ON
|
|
|
|
|
|
Contact Us - return to tranceaddict
Powered by: Trance Music & vBulletin Forums
Copyright ©2000-2026, Jelsoft Enterprises Ltd.
Privacy Statement / DMCA
|